These papers document many aspects of Swinney's life and career. They contain income tax returns dating from 1943; report cards from primary school; documentation of his WWII military service; and records of his home ownership. In addition, the papers include correspondence from Swinney's directorships of the Adirondack Museum and the Str...

The collection is comprised of digital surrogates previously available on the 10 rolls of microfilm described in the NARA publication M1483. These digital surrogates reproduced the records of the New Orleans area field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands for Iberville, Orleans, Plaquemines, St. Bernard, and West Baton Rouge Parishes, together with those of the Freedmen's Hospital, 1865–69. These records, consist of 38 bound volumes and approximately 6.5 linear feet of unbound records. The volumes include letters and endorsements sent, registers of letters received, circulars and special orders, journals, registers of patients, reports of occupancy and conditions in the Freedmen's Hospital, and abstracts of internments in the Freedmen's Cemetery. The unbound documents consist primarily of letters received, morning reports of sick and wounded in the Freedmen's Hospital, and various field office reports. There is also a register of patients in the Corps d'Afrique General Hospital, 1863–1865.

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

This collection contains a variety of materials documenting the lives and careers of scientists from a wide range of fields, including mammalogy, ornithology, ichthyology, herpetology, botany, entomology, paleontology and geology. Also included are files on conservationists, taxidermists, historical figures, explorers, frontiersmen, and hunter...

The collection documents through correspondence, reprints of general articles, reports of Congressional committees, and materials relating to a U.S. patent and testimonials Morton's claims to priority in the discovery of the anesthetic properties of ether in medical and surgical procedures.

The Alexander Archipenko papers measure 19.5 linear feet and date from 1904 to 1986, with the bulk of materials dating from 1930 to 1964. The sculptor's personal and professional life is documented by correspondence, financial records, scrapbooks, printed matter, and photographs documenting his art, exhibitions, travel, teaching activities, and the Archipenko Art School. Archipenko wrote and lectured extensively about his philosophies of art and the relationship between art and nature. The papers include drafts, notes, and final manuscripts of published and unpublished writings, and notes, outlines, transcripts, and audio recordings of some of his lectures.

This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. W...

Collections consists of the records of both the Norcross Greeting Card Company founded in New York City in the 1920s and The Rust Craft Greeting Card Company, founded in Kansas City, Missouri, 1906. Both the Norcross and Rust Craft companies collected antique greeting cards. Also includes a small number of modern cards by other manufacturers, circa 1930-1980. Collection represents development of the greeting card industry, social trends in the United States and technology of the printing industry from 1924 through 1978.

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithson...

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.