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- Creators:
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National Museum of American History. Office of Curatorial Affairs
- Dates:
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1993-2004
- Size:
-
2.5 cu. ft. (2 record storage boxes) (1 document box)
- Collection ID:
- Accession 09-098
- Repository:
-
Smithsonian Institution Archives
This accession consists of the records of James B. Gardner, Associate Director for Curatorial Affairs at the National Museum of American History (NMAH). Materials include correspondence, memoranda, and notes documenting exhibition planning, donor policy, collections, external relations, fund raising, and professional activities; meeting agenda...
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- Creators:
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National Museum of American History. Office of the Director
- Dates:
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circa 1972-1992
- Size:
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10 cu. ft. (10 record storage boxes)
- Collection ID:
- Accession 94-014
- Repository:
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Smithsonian Institution Archives
This accession documents the tenures of directors Daniel J. Boorstin (1969-1973), Brooke Hindle (1974-1978), and Roger G. Kennedy (1979-1992). The records consist mostly of Collections Committee records pertaining to purchases, loans, and gifts; minutes of meetings; insurance claims; budget, appropriations, and audit reports; inventories; ...
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Smithsonian Folklife Festival records: 1994 Festival of American Folklife
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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July 1-10, 1994
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1994
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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National Museum of American History. Office of the Director
- Dates:
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circa 1986-1991
- Size:
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10 cu. ft. (10 record storage boxes)
- Collection ID:
- Accession 93-135
- Repository:
-
Smithsonian Institution Archives
This accession consists of records which document the administrative affairs of the National Museum of American History (NMAH), Office of the Director. Materials include the outgoing and incoming correspondence and memoranda of Roger G. Kennedy, Director, and Douglas E. Evelyn, Deputy Director; records pertaining to budget agendas, collections...
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- Creators:
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National Collection of Fine Arts. Office of the Director
- Dates:
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1892-1960
- Size:
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22 cu. ft. (44 document boxes)
- Collection ID:
- Record Unit 311
- Repository:
-
Smithsonian Institution Archives
This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...
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- Creators:
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Smithsonian Institution. Office of the Secretary
- Dates:
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2000
- Size:
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15 cu. ft. (15 record storage boxes)
- Collection ID:
- Accession 05-009
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document the administrative activities of Lawrence M. Small during his first year as Secretary of the Smithsonian Institution. The records document issues with regard to the Institution's museums, exhibitions, research, fundraising, programs, and special events. Materials include correspondence, memorand...
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- Creators:
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Smithsonian Institution. Office of Museum Programs
- Dates:
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1987-1995
- Size:
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6.69 cu. ft. (6 record storage boxes) (1 16x20 box)
- Collection ID:
- Accession 96-109
- Repository:
-
Smithsonian Institution Archives
This accession consists of records documenting workshops, training courses, professional outreach activities, and administrative matters of the Office of Museum Programs (OMP). Materials include the correspondence, memoranda, and notes of Jane R. Glaser, Director, 1975-1989; James E. Sims, Acting Director, 1989-1990; Rex M. Ellis, Director, ...
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- Creators:
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Smithsonian Resident Associate Program. Office of Public Affairs
- Dates:
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1974-1991
- Size:
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27 cu. ft. (27 record storage boxes)
- Collection ID:
- Record Unit 632
- Repository:
-
Smithsonian Institution Archives
These records document the activities of the publicist and include information on special events sponsored by the Resident Associate Program. They consist of events files, correspondence, staff memoranda, photographs and slides, brochures, press releases, and news clippings. Most records are dated from 1983 to 1991, with some historical f...
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- Creators:
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Smithsonian Institution. Office of Visitor Services
- Dates:
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1959, 1973-2014
- Size:
-
8.69 cu. ft. (8 record storage boxes) (1 16x20 box)
- Collection ID:
- Accession 14-034
- Repository:
-
Smithsonian Institution Archives
This accession consists of publications and other materials created by the Office of Visitor Services for distribution to volunteers and to the public as well as signage for the Smithsonian Institution on the National Mall and for the information and membership desks in the various museums. The office was known as the Visitor Information and ...
Found In
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- Creators:
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Faison, S. Lane (Samson Lane), 1907-2006
- Dates:
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1922-1981
bulk 1950-1976
- Size:
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5.1 Linear feet
- Collection ID:
- AAA.faislane
- Repository:
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Archives of American Art
The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.