Frank K. M. Rehn Galleries records
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
Los Angeles Institute of Contemporary Art records
The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.
American Anthropological Association records
These records document the activities of the American Anthropological Association from 1904 through 2007 (although the majority of the files only date to 1996), with informational content regarding its constitution and by-laws, constitutional changes and ballot voting, dating back to its creation in 1902. The majority of the records consist of correspondence and memoranda …
Dorothy and Herbert Vogel papers
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
This accession consists of administrative records and index from the Office of the Secretary, Robert McCormick Adams, for fiscal year 1990. Listings in bold and capital letters indicate both the topic of folder contents and major subheadings from the Secretary's Office file plan.
Sidney C. Woodward papers
The papers of art critic, editor, and gallery director Sidney Woodward date from 1823 to 1963, bulk 1915-1932, and measure 3.5 linear feet. The majority of the collection consists of personal and professional correspondence and collected letters that pertain to Woodward's relationships with various artists, galleries, and arts organizations. Also included in this collection are two biographical documents; lecture notes and collected writings; printed material including books relating to the topic of art, exhibition catalogs, and newspaper clippings; a few personal photographs and reference photographs of paintings; and scrapbooks containing newspaper clippings, art reproductions, and printed material from the Casson Galleries.
These records document the history of the Department of Aeronautics from 1966-1986, a period marked by intensive planning for the new museum, its construction and opening in July 1976, and the emergence of the National Air and Space Museum as a large and important bureau of the Smithsonian and the most visited …
Jancar Gallery records
The records of Jancar Gallery, located in Los Angeles, California, measure 2.5 linear feet and 23.80 GB and date from circa 1972 to 2015, with the bulk of the papers dating from 2006 to 2014. The collection includes exhibition and artist files; administrative and financial records; printed and digital material; and records of the Jancar/Kuhlenschmidt Gallery.
Philleo Nash papers
The Philleo Nash papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937- 1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Eileen Cowin papers
The papers of Los Angeles photo and video artist Eileen Cowin measure 20.1 linear feet and 29.56 GB and date from 1961 to 2020. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed and digital material, video artwork and sketchbooks, sound and video recordings, and photographic material. There is a 4.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence; project, exhibition, commission and grant files; sales records and personal financial records; writings; lectures; biographical information; photographs of Cowin, family, friends and colleagues and proofs and prints of works ; slides of a lecture on Lee Miller at the Getty; laserdiscs by Cowin including "And Their Daughter Married a Prince" (2 copies), 1998, "Speaking Woman," 1994, "Scarcely Had They Uttered," 1998; and printed material. Materials date from circa 1977-2020.