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- Creators:
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Moynihan, M.
- Dates:
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1952-1996
- Size:
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4 cu. ft. (4 record storage boxes)
- Collection ID:
- Accession 01-096
- Repository:
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Smithsonian Institution Archives
These papers consist primarily of field notes, and include correspondence, photographs, sonograms and spectograms, and a small number of audio tapes. Many of the materials in this collection are available online. View Digitized Materials.
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- Creators:
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Smithsonian Institution. Visitor Information and Associates' Reception Center
- Dates:
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1972-1989
- Size:
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18 cu. ft. (18 record storage boxes)
- Collection ID:
- Record Unit 600
- Repository:
-
Smithsonian Institution Archives
These records document many aspects of the development and operation of VIARC, especially the administration of the Center's two volunteer corps. The bulk of the material consists of the administrative files of Mary Grace Potter from 1972 to 1987, including general correspondence, memoranda, and budget reports. Of particular note are early ...
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 1996
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1996
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Bransom, Paul, 1885-
- Dates:
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1862-1985
- Size:
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10.1 Linear feet
- Collection ID:
- AAA.branpaul
- Repository:
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Archives of American Art
The papers of wildlife illustrator, painter, and cartoonist Paul Bransom measure 10.1 linear feet and date from 1862 to 1985. Almost half of the collection is comprised of Bransom's correspondence, which is particularly rich in documenting his early career as an illustrator, and his relationships with authors, art editors, and publishers from the 1900s to the 1940s. Correspondence also contains a wealth of cards, many of which bear reproductions or original artwork by his many artist friends. Also found in the papers are biographical essays, certificates and awards, memorabilia, writings and notes, business files, bibliographies, an artwork inventory, exhibition catalogs, clippings, printed illustrations, pamphlets, photographs, scrapbooks, and original artwork.
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- Creators:
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Elisofon, Eliot
- Dates:
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circa 1935-1978
- Size:
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14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
- Collection ID:
- EEPA.1973-001
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
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- Creators:
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Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
- Dates:
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1950 - 1959
- Size:
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42.5 Cubic feet
- Collection ID:
- NMAH.AC.0507
- Repository:
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Archives Center, National Museum of American History
Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.
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- Creators:
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Kopp, Harriet Green, 1917-
- Dates:
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1930-1950
- Size:
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4.75 Cubic feet (16 boxes)
- Collection ID:
- NMAH.AC.1130
- Repository:
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Archives Center, National Museum of American History
These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants f...
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- Creators:
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Wetmore, Alexander, 1886-1978
- Dates:
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circa 1848-1983 and undated
- Size:
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116.34 cu. ft. (206 document boxes) (10 half document boxes) (1 12x17 box) (2 16x20 boxes) (29 3x5 boxes) (13 5x8 boxes) (oversize materials)
- Collection ID:
- Record Unit 7006
- Repository:
-
Smithsonian Institution Archives
The papers of Alexander Wetmore were received in the Smithsonian Archives in several different accessions between 1978 and 1987. The Archives would like to thank Mrs. Beatrice T. Wetmore for her help in transferring her husband's papers to the Archives. We also appreciate the assistance of the staff of the Division of Birds, National Museum ...
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- Dates:
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1939-1975
- Size:
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32.72 cu. ft. (31 record storage boxes) (4 12x17 boxes) (1 oversize folder)
- Collection ID:
- Record Unit 7279
- Repository:
-
Smithsonian Institution Archives
For the most part, these papers document Buechner's primary research interest, the ecology of terrestrial vertebrates, with emphasis on relationships to vegetation and social behavior. Included are Buechner's research on the pronghorn antelope, which contains field notes, journals, photographs, and reports to the Texas Cooperative Wildlife ...
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- Creators:
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Stewart, Jack, 1926-2005
- Dates:
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1926-2010
- Size:
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9.9 Linear feet
7.31 Gigabytes
- Collection ID:
- AAA.stewjack
- Repository:
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Archives of American Art
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.