This record unit includes correspondence (1871-1968), minutes (1871-1965), records of investments and other fiscal records (1871-1968), publications (1871-1962), newspaper clippings, and photographs. Documentation is full before 1950, with some significant gaps. Most of the records deal with administration of the Society: nomination and elect...

Photographs taken by Herbert M. Cole of people and architecture in Kenya, 1973. Peoples included are the Samburu, Turkana and Pokot.

This collection, which dates from 1924-1992, documents the career of high school chemistry teacher, Elaine Margretta Kilbourne (1923-2014). Materials include three scrapbooks compiled by Ms. Kilbourne and two folders, which contain aspects of her personal life, photographs, awards, correspondence, and a 2014 tribute booklet created by her former student, Ysabel L. Lightner to commemorate her passing.

This accession consists of records that document the planning, curation, and execution of temporary exhibitions at the Hirshhorn Museum and Sculpture Garden, including EXPRESSIV, and the WORKS and DIRECTIONS series sponsored by the Museum. The records were created and maintained by Neal David Benezra, Assistant Director for Art and Public...

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 16: Country, Western, and Folk Music contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

The majority of the photographs were taken in Cape Coast. Some the images were taken in Elmina. Several images depict chiefs, including a chief of Elmina, in their regalia and with their entourages. Other images depict Fante peoples in studio settings. Their attire and coiffures are of great relevance for art historical study. Also included in the album are images of the architecture of Cape Coast and Elmina.

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

The Mary E. "Mother" Tusch Collection reflects her interest in aviation. It consists of 12 boxes that contain photography, family documentation, news clippings and scrapbooks.

The collection contains business records and photographic materials documenting the International Salt Company. The business records include correspondence, account and ledger books, a payroll book, patent and trademark information, print advertising and marketing materials, and a salesman salt display kit. The photographic materials include a series of photographs by William M. Rittase, a series of photographs by Harold Haliday Costain, a small photograph album, snapshots, and slides. The images cover all facets of the salt manufacturing and packaging operations, and include photographs taken in New York State, Michigan, and Louisiana.

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.