12078 records — Page 1103 of 1208
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Creators:
Museum of the American Indian, Heye Foundation
Pepper, George H. (George Hubbard), 1873-1924
Heye, George G. (George Gustav), 1874-1957
Dates:
1914-1915
Size:
141 glass plate negatives
142 copy negatives
Collection ID:
NMAI.AC.001.047
Repository:
National Museum of the American Indian

Photographic negatives shot by George H. Pepper and George G. Heye during farm excavations in New York and New Jersey in 1914.

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Creators:
Van Schaick, C.J.
Skinner, Alanson, 1886-1925
Smith, Huron H. (Huron Herbert), 1883-1933
Dates:
circa 1870 to before 1926
Size:
454 negatives (photographic)
99 Photographic prints (black and white)
5 lantern slides
Collection ID:
NMAI.AC.001.036
Repository:
National Museum of the American Indian

Tribes covered in the photographs are: Arapaho, Blackfoot, Cheyenne, Chippewa, Iowa, Iroquois, Mahican, Menomini, Ojibwa, Oto, Plains Cree, Potawatomi, Seminole, Seri, Shinnecock, Sioux, Winnebago, Zuni Pueblo. The majority of photographs (552) have Skinner listed as the photographer and presumably are photographs he took on his expeditions. However, 104 photos are of the Seminole in Florida. According to Dennis P. Carey's biography of Skinner (Unpublished? 1980) Julian Q. Dimock, a well-known photographer, accompanied him on his expedition to the Seminole in Florida; how many of the photos were taken by Dimock is unknown, but he is listed as the photographer for 23 of them. Skinner's other photographs are of the Seneca Iroquois in New York; the Zuni Pueblo and Hawikku site; several tribes in Wisconsin; the Chippewa in Minnesota; and miscellaneous shots taken in Canada, Costa Rica, Florida and New York. Two photographs of the Mahican were taken by Huron H. Smith (1923) and two of the Winnebago were taken by C.J. Van Schaick (c. 1870). The remaining photographs have no photographer listed but were in Skinner's collection of photographs and are of varying tribes with dates ranging from 1909 to 1923.

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Creators:
Shamir, Marli
Dates:
1966-1976
Size:
33 negatives (photographic) (color, 35mm)
1790 negatives (photographic) (black and white, 120mm)
1,519 color slides (35mm)
Collection ID:
EEPA.2013-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

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Creators:
Smithsonian World
Dates:
1990-1991
Size:
23 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.0418
Repository:
Archives Center, National Museum of American History

The collection documents "Selling the Dream" was an hour long television documentary that aired in early 1991 as part of the public television series, Smithsonian World.

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Creators:
Taylor, Frank A. (Frank Augustus), 1903-2007
Dates:
1835-2003
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 18-009
Repository:
Smithsonian Institution Archives

Frank A. Taylor (1903-2007) was a Curator of Engineering and Industries and an administrator at the Smithsonian. He was born in 1903 in Washington, D.C., where he grew up. Taylor began his career at the Smithsonian in 1922 as a Laboratory Apprentice in the Division of Mechanical Technology of the United States National Museum (USNM). After ...

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Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
23.1 Linear feet
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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Creators:
Museum of the American Indian, Heye Foundation
Miller, Kenneth C., 1901-1974
Sinclair, David
United States. Bureau of Indian Affairs
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Dates:
1938 January
Size:
56 Photographic prints
18 negatives (photographic)
Collection ID:
NMAI.AC.001.057
Repository:
National Museum of the American Indian

Photographs of the Hidatsa Delegation at the Museum of the American Indian, Heye Foundation in New York, City and visiting the White House in Washington, D.C. for the repatriation of a Water Buster Bundle in 1938. Hidatsa Delegation members included elders Drags Wolf and Foolish Bear.

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Creators:
Kaplan, Flora S.
Dates:
1965-1989
bulk 1972-1977
Size:
0.3 Linear feet (1 Hollinger Box)
56 Photographic prints
3284 slides (photographs)
1828 negatives (photographic)
Collection ID:
NMAI.AC.024
Repository:
National Museum of the American Indian

The Flora S. Kaplan collection includes manuscript materials, field notes, slides, negatives and photographs. The extensive slide collection was taken in several regions of Mexico from the mid-to-late 1960's through the early 1980's and documented local craft processes, particularly ceramics, their makers, their families and life styles.

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Creators:
Hersh, Phyllis
Lensen-Tomasson, Nancy, 1931-
Dates:
1974-2008
bulk 1975-1980
Size:
89 negatives (photographic)
536 Photographic prints
1.3 Linear feet
Collection ID:
NMAI.AC.023
Repository:
National Museum of the American Indian

The Phyllis Hersh collection consists of papers and photographs associated with a book project on contemporary Hopi, Navajo, Santo Domingo, and Zuni jewelry and jewelers. The collection measures 1.3 linear ft. of mansucript materials, 521 photographic prints, and 85 photographic negatives, and dates from 1974 to 2008, with the bulk of the material dating from 1975 to 1980. The papers primarily document Hersh's work on "The Indian Jewelers' Art," an unfinished book on contemporary Native American jewelry.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

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12078 records — Page 1103 of 1208