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Creators:
Lynes, Russell, 1910-1991
Dates:
1930-1986
Size:
2.9 Linear feet
Collection ID:
AAA.lyneruss
Repository:
Archives of American Art

The papers of author, art critic, and art historian Russell Lynes, measure 2.9 linear feet and date from 1930-1986. The bulk of the material is related to Lynes's research for his 1973 book, The Good Old Modern: An Intimate Portrait of the Museum of Modern Art. Also included are some personal papers and photographs.

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Creators:
Brown, Bolton, 1864-1936
Dates:
1882-1987
bulk 1882-1936
Size:
1.7 Linear feet
Collection ID:
AAA.browbolt
Repository:
Archives of American Art

The papers of lithographer, educator, and author Bolton Coit Brown measure 1.7 linear feet and date from 1882 to 1987 with the bulk of the material dating from 1882 to 1936. Found within the papers are biographical material; extensive personal correspondence with family members and friends; writings, including drafts of Art of Art Study and Lithography Since Whistler; and printed material.

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Creators:
Hollerith family
Hollerith, Lucia Beverly, 1891-1982
Hollerith, Herman, 1860-1929
Hollerith, Nannie Talcott, 1898-1985
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Dates:
1952-1980
Size:
0.75 Cubic feet (approximately 2,500 35mm slides, 35mm)
Collection ID:
AAG.HOL
Repository:
Archives of American Gardens

The Hollerith Family Collection includes approximately 2,200 35mm slides dating from 1952 to 1980 that document the horticultural interests and travels of sisters Virginia and Nan Hollerith, members of the Georgetown Garden Club in Washington, D.C. The images primarily show private and public gardens, plantations, and historic sites in the mid-Atlantic and the southeast regions of the United States. Included in the collection are slides documenting the activities of the Georgetown Garden Club and various floral arrangements.

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Creators:
Mowbray-Clarke, Mary Horgan, 1874 or 1875-1962
Mowbray-Clarke, John Frederick, 1869-1953
Dates:
1887-1965
bulk 1887-1925
Size:
0.4 Linear feet
Collection ID:
AAA.mowbjohn
Repository:
Archives of American Art

The papers of sculptor John Frederick and art critic Mary Horgan Mowbray-Clarke measure 0.4 linear feet and date from 1887 to 1965, with the bulk of the material dating from 1887 to 1925. The collection consists of scattered biographical material, professional and personal correspondence, writings and notes, business records, printed material, and artwork. Some material relates to the Sunwise Turn Book Shop operated by Mary Horgan Mowbray-Clarke.

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Creators:
Larsen, Neil Juhl
Dates:
circa 1927-2011
Size:
9.4 Linear feet
Collection ID:
AAA.larsneil
Repository:
Archives of American Art

The Neil Juhl Larsen research material on Charles Biederman measures 9.4 linear feet and dates from circa 1927-2011. The material was compiled primarily by Neil Juhl Larsen in preparation for his biography, Charles Biederman (Hudson Hills Press, 2011). Also included is a small amount of material compiled by art historian Susan Larsen (no relation to Neil), who completed the book after Neil Larsen's death in 2006. The bulk of the research material consists of original papers belonging to Charles Biederman, including biographical material, correspondence, writings, personal business records, printed material, and photographs. These papers were given to Neil Juhl Larsen by Biederman and his daughter Anna Biederman Brown.

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Creators:
Bischoff, Elmer, 1916-1991
Dates:
1914-1990
Size:
4.4 Linear feet
Collection ID:
AAA.biscelme
Repository:
Archives of American Art

The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

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Creators:
Sargent, F.W., 1820-1889
Dates:
1854-1960
bulk 1854-1888
Size:
0.4 Linear feet
Collection ID:
AAA.sargf
Repository:
Archives of American Art

The papers of medical doctor F.W. Sargent measure 0.4 linear feet and date from 1854 to 1960. Found within the papers are letters to his family with references to his son, John Singer Sargent. Also included are letters and photographs of works of art by John Singer Sargent.

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Kihn, W. Langdon
Dates:
1904-1990
bulk 1904-1957
Size:
8.5 Linear feet
Collection ID:
AAA.kihnwlan
Repository:
Archives of American Art

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

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Creators:
Phelps, W. P. (William Preston), 1848-1923
Dates:
1849-2001
bulk 1890s-1920s
Size:
1.1 Linear feet
Collection ID:
AAA.phelw
Repository:
Archives of American Art

The papers of New Hampshire landscape painter William Preston Phelps and his daughter, artist Ina Phelps Hayward, measure 1.1 linear feet and date from 1849-2001, with the bulk of the material dating from the 1890s to the 1920s. Papers include letters from Phelps, and correspondence regarding Ina Phelps Hayward's involvement in her father's 1917 estate sale; sales and legal records related to the Phelps estate; a scrapbook and printed material about William Preston Phelps; a sketchbook of sketches attributed to Phelps; sketches by Ina Phelps Hayward and her husband Roger Hayward; photographs of Phelps, his home and studio in Chesham, New Hampshire, and his artwork; and glass plate negatives, including two of Phelps and thirty-six of his artwork.

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