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Creators:
Blaney, Dwight, 1865-1944
Dates:
circa 1883-1944
circa 1993
bulk circa 1883-1920s
Size:
3.3 Linear feet
Collection ID:
AAA.blandwig
Repository:
Archives of American Art

The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.

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Creators:
Gellatly, John, 1853-1931
Dates:
1887-1931
Size:
0.2 Linear feet
Collection ID:
AAA.gelljohn
Repository:
Archives of American Art

The John Gellatly letters received from artists measure 0.2 linear feet and date from 1887 to 1931. Found within the collection are 120 letters to Gellatly from Emma and Abbott H. Thayer, Frederick S. Church, Irving Wiles, Albert Pinkham Ryder, C. E. S. Wood, and George Grey Barnard. Some of the letters contain sketches, particularly those from Church. Topics include the price and progress of artworks, requests for commissions, mutual friendships, and daily events. There are also two copies of the poem "The Flying Dutchman" by Albert P. Ryder.

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Creators:
Dows, Olin, 1904-1981
Dates:
1938-1949
Size:
0.2 Linear feet
Collection ID:
AAA.dowsolin
Repository:
Archives of American Art

This small collection of letters to and from painter and arts administrator Olin Dows measures 0.2 linear feet and dates from 1938 to 1949. The letters primarily document his work as director of the Treasury Relief Art Project, as an admistrator for the American Federation of Arts, and his work as a war artist. Much of the correspondence is with arts administrators Edward Bruce and Forbes Watson.

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Creators:
Desind, Herbert Stephen.
Dates:
1950-1992
Size:
109 Cubic feet (305 boxes)
Collection ID:
NASM.1997.0014
Repository:
National Air and Space Museum Archives

The collection consists of 109 cubic feet of material, primarily photographs with some additional documentation, covering aerospace topics. The bulk of the material relates to US space exploration, including extensive photo files on US manned missions through the Space Shuttle, and satellite and sounding rocket work. The first series consists of unmanned spacecraft material, the second series consists of manned spacecraft material, and the third series consists of aircraft material.

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Creators:
Hockett, Charles
Dates:
1934-2000
bulk 1940-1989
Size:
5.4 Linear Feet ((10 document boxes) plus 2 record storage boxes of sound recordings)
Collection ID:
NAA.2011-14
Repository:
National Anthropological Archives

This collection contains the professional papers of linguist Charles F. Hockett. Included are research materials consisting of field notes and notebooks, correspondence, published and unpublished writings, annotated copies of other scholars' work, a few drawings, photographs, and sound recordings.

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Creators:
Lerner, Abram, interviewee
Dates:
1998
Size:
4 audiotapes (Reference copies).
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Bradley, Peter, 1940-
Dates:
1966-1976
2003
2014
Size:
0.3 Linear feet
Collection ID:
AAA.bradpete
Repository:
Archives of American Art

The papers of African American painter and former art dealer Peter A. Bradley measure 0.3 linear feet and date from 1966 to 1976 with additional material dating from 2003 and 2014. The papers include correspondence from Klaus Perls, Anthony Caro, Robert Gelfman and attorney Karl S. Lowenthal. Included with correspondence is a recommendation for Bradley written by Klaus Perls. The papers include photographs of Alexander Calder and his family, as well as a photograph of Bradley with Calder's work at Perls Galleries, Bradley with Kenneth Noland and Bradley with Steven Cannon. Printed material consists of a 1971 Picasso exhibition catalog and a 2014 issue of Gulf Coast. Also included are architectural plans and notes for Bradley's studio designed by John Johansen as well as personal financial information.

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Creators:
Doyle, Tom, 1928-
Dates:
1956-2014
Size:
5.2 Linear feet
Collection ID:
AAA.doyltom
Repository:
Archives of American Art

The papers of sculptor and educator Tom Doyle measure 5.2 linear feet and date from 1956-2014. The collection contains biographical material, correspondence, commission files, printed material, and four sketchbooks.

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Creators:
Vargas, Kathy
Dates:
circa 1965-2016
Size:
10.8 Linear feet
Collection ID:
AAA.vargkath
Repository:
Archives of American Art

The papers of San Antonio-based educator and photographer Kathy Vargas measure 10.8 linear feet and date from circa 1965-2016. Vargas's career is documented through biographical material, correspondence, writings and notes, project and exhibition files, professional files, and printed material.

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Creators:
Scherr, Mary Ann, 1931-
Dates:
1941-2013
bulk 1960-2000
Size:
4 Linear feet
0.282 Gigabytes
Collection ID:
AAA.schemary
Repository:
Archives of American Art

The papers of jeweler and designer Mary Ann Scherr measure 4.0 linear feet and 0.282 GB and date from 1941 to 2013, with the bulk of the material from 1960 to 2000. Scherr's career is documented through scattered biographical material and a digital video recording of an interview; correspondence with museums, universities, professional entities, and colleagues; writings by her as well as professional and student writings about her; business records documenting projects and connections with institutions and organizations; news clippings, promotional ephemera, catalogs, posters, and other printed materials; and photographs of Scherr and of her artwork. An additional 2.0 linear feet donated in 2016 includes biographical material including information about Scherr's children, resumes and awards; personal and professional correspondence; teaching files and material regarding honorary degrees; project files pertaining to Scherr's "Body Monitors" jewelry; financial records including invoices for projects and supplies; photographs of Scherr with her designs, with others, and of works of art; artwork consisting of designs, illustrations, and computer clip art design; and printed material.

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