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Creators:
National Museum of American Art. Curatorial Office
Dates:
1990-1998
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 01-110
Repository:
Smithsonian Institution Archives

This accession consists of materials that document the planning and execution of exhibitions at the National Museum of American Art and the Renwick Gallery. Materials include checklists, loan files, installation photos, press kits, correspondence and memoranda, label text, catalog text, slides and photographs, floor plans, brochures, insurance...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1989-2011
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 13-238
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include George Gurney and guest curator, Claire Perry. Also includes materials from when the museum was known ...

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Creators:
Heyer, W. Ronald
Dates:
1985-2000
Size:
3.58 cu. ft. (3 record storage boxes) (0.58 non-standard size boxes)
Collection ID:
Accession 04-101
Repository:
Smithsonian Institution Archives

This accession consists of papers documenting the career of Curator W. Ronald Heyer, National Museum of Natural History. Heyer's research focuses on the systematics, evolution, and biogeography of Neotropical amphibians. Materials include data, correspondence and related materials for publication.

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Creators:
National Air and Space Museum. Office of the Deputy Director
Dates:
1972-2007
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 08-137
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Donald S. Lopez, Deputy Director, documenting the administration of the National Air and Space Museum (NASM) and outreach performed by Lopez on behalf of NASM. Lopez held various positions at the National Air and Space Museum beginning in 1972 and became Deputy Director in 1983. ...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Deputy Director
Dates:
circa 2001-2004
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 08-096
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the exhibition Ana Mendieta: Earth Body Sculpture and Performance, 1972-1985. The exhibition was organized by Olga M. Viso, Curator of Contemporary Art, 2000-2003, and Deputy Director, 2003-2005, and traveled to several venues between 2004 and 2006. This accession also documents Viso's extens...

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Creators:
Smithsonian Productions.
Dates:
circa 1979-2001
Size:
5.14 cu. ft. (4 record storage boxes) (3 film boxes)
Collection ID:
Accession 14-205
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual elements created during the production of films and videos for exhibitions at the National Museum of American History. Some materials may be footage of an exhibition or public program. In a few cases, neither the title of the video nor the exhibition is known. Materials include videotapes, film, magnetic ...

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Creators:
Washington, James W., 1911-2000
Dates:
1938-1989
Size:
2.3 Linear feet
Collection ID:
AAA.washjame
Repository:
Archives of American Art

The papers of artist James W. Washington, Jr. measure 2.3 linear feet and date from 1938 to 1989. The collection includes biographical material, correspondence, writings, professional records, material related to the Artists Equity Association, printed material, and photographic material.

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Creators:
Blaney, Dwight, 1865-1944
Dates:
circa 1883-1944
circa 1993
bulk circa 1883-1920s
Size:
3.3 Linear feet
Collection ID:
AAA.blandwig
Repository:
Archives of American Art

The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.

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Creators:
Quincy, Edmund, 1903-1997
Dates:
1891-1955
bulk 1935-1955
Size:
0.7 Linear feet
Collection ID:
AAA.quinedmu
Repository:
Archives of American Art

The papers of painter Edmund Quincy measure 0.7 linear feet and date from 1891-1955, with the bulk of the materials dating from 1935-1955. In addition to biographical materials, letters, price lists, printed items, and a scrapbook documenting his painting career, Quincy's papers also include family photographs and a scrapbook concerning the political career of his father, Josiah Quincy, Mayor of Boston. Material concerning Quincy's father in some cases predates Quincy's birth. Also included are a diploma and drawings by Quincy.

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Creators:
Kenneth Stubbs, 1907-1967
Dates:
1911-2007
Size:
0.9 Linear feet
Collection ID:
AAA.stubkenn
Repository:
Archives of American Art

The Kenneth and Miriam Stubbs papers regarding E. Ambrose Webster measure 0.9 linear feet and date from 1911-2007. A student at Webster's summer school in Provincetown, Kenneth Stubbs maintained a friendship with Webster and collected some of his original papers, including many handwritten copies of Webster's lectures, notes, an address book, photographs, letters, lists, and reproductions of artwork. Research files maintained by Kenneth, and later by his wife Miriam, include correspondence, exhibition catalogs for exhibitions of Webster's work, notes, photographs of artwork, and a sound recording of a radio interview of Miriam Stubbs and Tony Vevers discussing Webster.

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