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Creators:
Smithsonian Institution, Office of the Treasurer
Dates:
1966-1983
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 84-003
Repository:
Smithsonian Institution Archives

This accession consists of correspondence subject files concerning fiscal matters, banking, budgeting, spending, and financial outlay.

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Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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Creators:
Smithsonian Institution, Office of Biological Conservation
Dates:
1974-1980
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 81-089
Repository:
Smithsonian Institution Archives

These records consist of material on the Charles Darwin Foundation (CDF) and Charles Darwin Research Station (CDRS); Endangered Flora Project; and Department of Interior contracts.

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Creators:
Smithsonian Institution, Office of Museum Programs
Dates:
1979-1988
Size:
11.9 linear meters.
Collection ID:
Record Unit 630
Repository:
Smithsonian Institution Archives

These records document the operations of the Office of Museum Programs (OMP) and its work in the museum community. Of special interest are records of the Kellogg Project, funded by the Kellogg Foundation in an effort to expand the educational influence of museums.

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Creators:
Church, Michael P., 1907-1991 (Michael Paul)
Dates:
1934-1984
Size:
0.6 Linear Feet
Collection ID:
AAA.churmich
Repository:
Archives of American Art

The papers of art educator and administrator Michael P. Church measure 0.6 linear feet and date from 1934 to 1984. The collection includes biographical material, letters, notes and writings, printed material, and photographs.

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Gero, Joan M.
Conkey, Margaret Wright, 1944-
Dates:
1987-2001
Size:
0.42 Linear feet (2 boxes)
50 negatives (photographic) (1 folder)
26 Photographic prints (1 folder)
14 cassette tapes (1 box)
Collection ID:
NAA.2016-05
Repository:
National Anthropological Archives

The Joan M. Gero papers of the "Women and Production in Prehistory" Conference primarily document the work of Joan M. Gero (archaeologist known for her work in feminist, socio-political, and Andean archaeology) and co-organizer, Margaret W. Conkey, to organize the "Women and Production in Prehistory" Conference that took place April 5-9, 1988 at The Wedge Plantation in South Carolina (sometimes referred to as the "Wedge Conference"). The collection comprises Joan Gero's documentation pertaining to the conference, as well as it's promotion and publication in the seminal volume Engendering Archaeology: Women and prehistory. The collection consists of grant proposals and reports, program and participant information, photographs of the conference, audiotape recordings of papers presented, conference publicity and press clippings, correspondence between Gero and co-organizer Margaret W. Conkey, correspondence with Blackwell Publishers about the publication and royalties, and reviews of Engendering Archaeology: Women and prehistory.

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
Smithsonian Institution, Office of Grants and Risk Management
Dates:
1974-1982
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 84-130
Repository:
Smithsonian Institution Archives

This accession contains materials pertaining to project funding, including memoranda, vouchers, reports, and balance sheets. Projects are listed by Principal Investigator, Funding Agency and Title. Fund numbers and organization codes are located in Smithsonian Institution Archives control files.

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Creators:
Cortor, Eldzier, 1916-
Dates:
circa 1930s-2015
bulk 1972-2015
Size:
3.1 Linear feet
Collection ID:
AAA.corteldz
Repository:
Archives of American Art

The papers of painter and printmaker Eldzier Cortor measure 3.1 linear feet and date from circa 1930s to 2015, with the bulk of the papers dating from 1972 to 2015. The papers contain biographical material, correspondence, professional files, exhibition and gallery files, writings, printed material, artwork, and photographs.

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