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Creators:
Smithsonian Institution, Office of Quincentenary Programs
Dates:
1988-1993
Size:
3.18 cu. ft. (2 record storage boxes) (1 blueprint storage box) (1 16x20 box) (1 oversize folder)
Collection ID:
Accession 96-086
Repository:
Smithsonian Institution Archives

This accession consists of materials which pertain to the Smithsonian Institution observance of the 500th anniversary of the voyages of Christopher Columbus and the subsequent encounter among Europeans, Africans and the indigenous peoples of the Americas. Through programs of exhibitions, scholarly and public symposia, publications, educational...

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Creators:
Smithsonian Institution, Office of the Under Secretary
Dates:
1991-1995
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 97-066
Repository:
Smithsonian Institution Archives

These records document the work of the Under Secretary, Constance Berry Newman, during the calendar years 1991 through 1995. The records pertain to the activities of various museums, bureaus and other major offices within the Institution and other outside organizations. There are correspondence and reports concerning such issues as Japan Proj...

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1982-1990
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Record Unit 461
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda documenting the activities of the Curatorial Department and its predecessors. Included are general correspondence; correspondence with artists, dealers, and institutions; and the files of Harry Rand concerning his research and curation of The Art of Paul Manship.

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Creators:
Smithsonian Institution, Assistant Secretary for Museums
Dates:
circa 1985-1991
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 93-033
Repository:
Smithsonian Institution Archives

These records document the administrative affairs of the Office of the Assistant Secretary for Museums. The title of this office changed to the Office of the Assistant Secretary for Arts and Humanities in April 1992. Includes mostly the correspondence of Tom L. Freudenheim, presently the Assistant Secretary for Arts and Humanities, but formerl...

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Creators:
National Portrait Gallery. Office of the Registrar
Dates:
1981-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 07-090
Repository:
Smithsonian Institution Archives

This accession consists of records which document outgoing loans. Materials include correspondence, memoranda, condition reports, facility reports, loan agreements, black-and-white photographs, and color photographs and transparencies.

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Creators:
Buchanan, Beverly, 1940-
Dates:
1912-2017
bulk 1970s-1990s
Size:
18.3 Linear feet
1.07 Gigabytes
Collection ID:
AAA.buchbeve
Repository:
Archives of American Art

The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.3 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1804-1967
Size:
4.89 Cubic feet (consisting of 10.5 boxes, 2 folders, 5 oversize folders, 2 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Glassware
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Glassware forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Morison, George S., 1842-1903
Dates:
1846-1903
Size:
30 Cubic feet (61 boxes and 152 map-folders)
Collection ID:
NMAH.AC.0978
Repository:
Archives Center, National Museum of American History

The collection documents the career of George S. Morison, a prominent civil engineer, specializing in railroad bridge design. The materials consist primarily of drawings and maps (linen tracings, blueprints, sketches); final bridge reports; photographs; glass plate negatives; daily diaries; correspondence; and published material documenting George S. Morison's participation on the Isthmian Canal Commission, 1898-1903.

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Creators:
Goodrich, Lloyd, 1897-1987
Dates:
1884-1987
bulk 1927-1987
Size:
35.7 Linear feet
Collection ID:
AAA.goodlloy
Repository:
Archives of American Art

The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

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Creators:
Federal Art Project. Photographic Division
Dates:
circa 1920-1965
bulk 1935-1942
Size:
12.4 Linear feet
Collection ID:
AAA.fedeartp14
Repository:
Archives of American Art

The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.

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