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Creators:
Whipple, Fred L. (Fred Lawrence), 1906-2004
Dates:
circa 1927-1983
Size:
23.5 cu. ft. (23 record storage boxes) (1 document box)
Collection ID:
Record Unit 7431
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Mooney, James, 1861-1921
Coulter, John M.
Fisher, C. H.
Marques, Don
More …
Dates:
undated
Collection ID:
NAA.MS2537
Repository:
National Anthropological Archives

Letters from the Department of Interior, Office of Indian Affairs, Letters from the Department of Agriculture. One letter each from the following: Coulter, John M.- University of Chicago. Fisher, C. H.. Chihuahua. Marques, Don, Pueblo, New Mexico. Parker, A. C., University of the State of New York. Rithwick (?), J. T., West Chester, Pennsylvania. T...

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.4 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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Creators:
Swarthmore College. Sproul Observatory (Swarthmore, Pennsylvania: 1916)
Gaustad, John E. (Director, Sproul Observatory)
Physical Sciences, Division of (NMAH, Smithsonian Institution).
Dates:
1916-1975
Size:
1 Boxe
Collection ID:
NMAH.AC.0251
Repository:
Archives Center, National Museum of American History

Collection of group portraits donated by Sproul Observatory. Group portraits include participants at American Astronomical Society and I.A.U. [International Astronomical Union] meetings, as well as several other taken at Johns Hopkins University, Swarthmore College, and an autographed photo of Roy W. Delaplaine at a 24-inch refractor telescope.The photographs were accumulated in the files of the Sproul Observatory, Swarthmore College, over a period of years. They form a visual record of astronomers and attendees at astronomical meetings from 1916 to 1975.

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Creators:
Southcott, W.
Dates:
between 1906-1908
Size:
1 box (+album)
128 postcards (1 volume, black & white, 9 x 14 cm.)
Collection ID:
EEPA.1992-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Postcards mailed mostly in Lagos between 1906 and 1908 by W. Southcott to Miss Eva Jones, and later, during 1907, to Mrs. W. Southcott (nee Jones) of New Brighton, Cheshire.

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Creators:
Kushi, Aveline, 1923-
Kushi, Michio, 1926-
Ohsawa, George
Dates:
1960-2006, undated
bulk 1970-1989
Size:
29 Cubic feet (88 boxes)
339 cassette tapes
218 Video recordings
Collection ID:
NMAH.AC.0619
Repository:
Archives Center, National Museum of American History

Publications, photographs, articles, audio and video recordings, and teaching materials relating to the rise of Macrobiotics in the United States, as popularized by Michio and Aveline Kushi. The bulk of the material was produced for the Kushi Foundation, Kushi Institute, and East West Foundation.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2007
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Portrait Gallery. Department of Exhibitions and Collections Management
Dates:
1973-2017
Size:
25.5 cu. ft. (25 record storage boxes) (1 document box)
Collection ID:
Accession 19-102
Repository:
Smithsonian Institution Archives

This accession consists of records which document the work of the Department of Exhibitions and Collections Management in the preparation and development of exhibitions at the National Portrait Gallery (NPG), as well as the design and publicity involved with exhibitions and the loan of art objects both to and from the museum. Staff represented...

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Creators:
Travis, Michael
Lavdas, George
Dates:
1947-1986
Size:
15 Cubic feet (35 boxes, 1 map-folder )
Collection ID:
NMAH.AC.1347
Repository:
Archives Center, National Museum of American History

The collection contains approximately 2,500 costume designs in colored pencil and pastels, on tissue paper mounted on mat boards. The designs were created for entertainers such as Liberace, Diana Ross and the Supremes, Dionne Warwick, the Fifth Dimension, Nancy Sinatra, and others. Some were created for the television show Rowan and Martin's Laugh-In.

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Creators:
Daniel, Pete
Dates:
1986-1991
Size:
25 Cubic feet (79 boxes)
Collection ID:
NMAH.AC.0773
Repository:
Archives Center, National Museum of American History

The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by ...

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