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Creators:
Lemelson Center
Dates:
1989-2010
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 12-582
Repository:
Smithsonian Institution Archives

This accession consists of records that document the development and execution of educational programs, special events, seminars, workshops, and symposia related to inventors, inventions, and technological innovation. Major programs documented include Inventing for the Environment symposium, the Hands on Science Center, and the Innovative ...

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Creators:
National Museum of American History. Project Management Office
Dates:
1981-1997
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 13-294
Repository:
Smithsonian Institution Archives

This accession consists of records that document the Project Management Office's work in managing exhibitions and projects at the National Museum of American History. Materials include correspondence, memoranda, grant proposals, scripts, schedules, budget records, visitor surveys, reports, floor plans, drawings, clippings, and other related ...

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
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Dates:
1955-1957, undated
Size:
7 Boxes
Collection ID:
NMAH.AC.0618.S07
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 7 consists of black-and-white color separation negatives and instructions for processing kodak matrix film. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Waagenaar, Emile
Dates:
1980-2008
Size:
0.5 Cubic feet (64 items)
Collection ID:
NMAH.AC.1150
Repository:
Archives Center, National Museum of American History

Environmental portraits of Cajun musicians: 64 inkjet photographic prints, 1980-2008, some in black-and-white and others in color.

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Creators:
Garner, Richard Lynch, 1848-1920
Harrington, John Peabody, 1884-1961
Dates:
1891-1941
Size:
2 Linear feet (5 boxes)
Collection ID:
NAA.XXXX.0243
Repository:
National Anthropological Archives

Many facets of Richard Lynch Garner's life and work as an early animal behaviorist observing primates in Africa are represented in these papers. Other than a few notebooks of poems and manuscripts of books Garner had published before he began his study of apes and monkeys, there is little material that reflects his personal life or his work before about 1890. These papers, covering the period of 1891 to 1941, contain a diary, correspondence, articles written for magazines, manuscripts, poetry, notes, data collected on chimpanzees, financial records, legal records, maps, biographical material, artwork, and photographs.

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.5 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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Creators:
Rattner, Abraham
Dates:
1891-1986
Size:
26.3 Linear feet
Collection ID:
AAA.rattabra
Repository:
Archives of American Art

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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