3887 records — Page 117 of 389
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Creators:
Wilder, John Brantley
Dates:
1937-circa 1979
Size:
1.5 Linear feet
Collection ID:
AAA.wildjohb
Repository:
Archives of American Art

The papers of painter, journalist, and civil rights activist John Brantley Wilder measure 1.5 linear feet and date from 1937 to circa 1979. The papers include correspondence; clippings; invoices; photographs; reproductions of some of Wilder's pen and ink sketches; as well as a scrapbook, which includes clippings, photographs, and printed material. Also included in the collection is a diorama representing a Sioux family.

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Creators:
National Collection of Fine Arts. Department of Prints and Drawings
Dates:
1967-1974
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 01-098
Repository:
Smithsonian Institution Archives

These records document the collection and curatorial activities of Jacob Kainen, Curator (1967-1969), Janet A. Flint, Acting Curator (1970) and Curator (1971- ), and Martina Roudabush Norelli, Associate Curator, Department of Prints and Drawings, National Collection of Fine Arts. The bulk of the material relates to the acquisition or decline ...

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Creators:
Simon, Sidney, 1917-1997
Dates:
circa 1917-2002
bulk 1940-1997
Size:
8 Linear feet
2.21 Gigabytes
Collection ID:
AAA.simosidn
Repository:
Archives of American Art

The papers of sculptor, painter, and educator Sidney Simon measure 8.0 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

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Creators:
Boris Mirski Gallery (Boston, Mass.)
Dates:
circa 1936-2000
bulk 1945-1972
Size:
6.2 Linear feet
Collection ID:
AAA.mirsbori
Repository:
Archives of American Art

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

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Creators:
Mills Family
Dates:
1813-1827
Size:
0.2 Linear Feet
Collection ID:
AAA.millfami
Repository:
Archives of American Art

This small collection of Robert Mills family letters date from 1813 to 1847 and measure 0.2 linear feet. Found here are 38 letters between architect Robert Mills and his wife Eliza, two letters to Mills from other family, and nine letters to Mills from business acquaintances, including architect John Skirving and engineer Louis Wernwag. Also found are six letters to Mills' daughter Anna from various family members.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Howe, Thomas Carr, 1904-1994
Dates:
1932-1984
Size:
4.4 Linear feet
Collection ID:
AAA.howethom
Repository:
Archives of American Art

The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.

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Creators:
Flack, Audrey
Dates:
1950-2009
Size:
15.8 Linear feet
0.897 Gigabytes
Collection ID:
AAA.flacaudr
Repository:
Archives of American Art

The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

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Creators:
Cooper-Hewitt Museum. Department of Drawings and Prints
Dates:
1968-1978
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Record Unit 283
Repository:
Smithsonian Institution Archives

The papers document the administration of Elaine Evans Dee, Curator, 1968- , and Xenia Cage, Museum Technician, 1968-1980. They include general correspondence, mostly inquiries regarding the collections, photograph orders, and job applications; and materials concerning exhibitions and The American Federation of Arts committee meetings, 19...

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Creators:
Peale, Rembrandt, 1778-1860
Dates:
circa 1820-1932
Size:
0.2 Linear feet
Collection ID:
AAA.pealremb
Repository:
Archives of American Art

This collection of papers measures 0.2 linear feet, dates from circa 1820-1932, and provides scattered documentation of the lives of painter Rembrandt Peale and his wife Harriet. There are seven letters from Peale which discuss his Patriae Pater portrait of George Washington and his subsequent attempts to gain a commission from Congress for his equestrian portrait of the first president, as well as illuminating his opinion on patronage for the arts. The collection also contains a copy of Peale's lecture on "Washington and his Portraits," a page with drawings of Roman coins by Peale, two codicils to Harriet Peale's will, printed material including a pamphlet for Peale's The Court of Death and a catalog of sale for Harriet Peale's estate, and photographs of Rembrandt and Harriet Peale.

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3887 records — Page 117 of 389