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Creators:
Williams, Esther Baldwin, 1867-1964
Dates:
1887-1984
Size:
2.1 Linear feet
Collection ID:
AAA.willesth
Repository:
Archives of American Art

The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

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Creators:
American Zoo and Aquarium Association
Dates:
1963-1992
Size:
68 cu. ft. (68 record storage boxes)
Collection ID:
Accession 96-024
Repository:
Smithsonian Institution Archives

This accession consists of files from Robert Wagner, Chief Administrative Officer of the American Zoo and Aquarium Association (AZA). These records contain memoranda and correspondence from various zoos, parks, aquariums, animal farms, and breeding grounds within the United States. Materials also include a variety of information on various ...

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Creators:
Fairchild Aircraft Corp
Dates:
1919-1980
Size:
277.95 Cubic feet (255 records center boxes)
Collection ID:
NASM.1989.0060
Repository:
National Air and Space Museum Archives

This collection consists of historical files on FI, its predecessors, and subsidiaries. The material consists primarily of historical/public relations material, including photographs and brochures, but also includes significant amounts of business records for FEAC, Kreider-Reisner, Hiller, Republic, Ranger, Stratos, and Swearingen. The collection also documents Fairchild's joint ventures with Fokker, Pilatus, and other aircraft manufacturers. The material also includes an extensive negative collection as well as film and videotape libraries.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 8, 1973
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1973
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Portrait Gallery, Office of Education
Dates:
1970-2003
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 08-086
Repository:
Smithsonian Institution Archives

This accession consists of the program records of the Office of Education at the National Portrait Gallery (NPG) and documents their work on educational programming for the museum and its exhibitions. Programming documented includes "Face to Face: Adventure with History!;" "Discover Portraits: Learning to See;" "Those Inventive Americans;" ...

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1970-1978, with related materials from 1938
Size:
13.12 cu. ft. (10 document boxes) (14 tall document boxes)
Collection ID:
Record Unit 592
Repository:
Smithsonian Institution Archives

This record unit consists of audiotape recordings of Smithsonian Institution (SI) special events including concerts, exhibitions, lectures, interviews, symposia, and openings. Of special interest are recordings of the 1876 exhibition opening, 1976; Festival of American Folklife events; Smithsonian National Associates Program events; and a...

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Oschinsky, Lawrence, 1921-1965
Dates:
circa 1900-1965
Size:
18 Linear feet
Collection ID:
NAA.2016-26
Repository:
National Anthropological Archives

The papers of Lawrence Oschinsky primarily document his research and professional activities from 1940s-1965 as an American physical anthropologist, but include some personal materials as well. The collection contains his published works, dissertations, field notes, correspondence, teaching materials, and many photographs depicting both his personal travels and his research subjects in the Canadian Arctic, Africa, Asia, and other regions.

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Creators:
Smithsonian Institution, Contracts Office
Dates:
1953-1990
Size:
26.2 linear meters.
Collection ID:
Record Unit 470
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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