6091 records — Page 120 of 610
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Creators:
Webster, Tamara, 1917-2011
Dates:
1961-1996
circa 1917
Size:
0.2 Linear feet
Collection ID:
AAA.webstama
Repository:
Archives of American Art

The Tamara Webster papers relating to Frederick Hammersley measure 0.2 linear feet and date from circa 1917, 1961 to 1996. Webster was an art dealer and artist in Cambria, California and Albuquerque, New Mexico who befriended Hammersley. The papers include letters and holiday cards, exhibition catalogs, printed material, and photographs.

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Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
1978-2012
Size:
14.27 cu. ft. (13 record storage boxes) (1 tall document box) (1 16x20 box)
Collection ID:
Accession 17-358
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Smithsonian Institution Traveling Exhibition Service (SITES) in regard to the planning, execution, administration, and promotion of the major traveling exhibitions "In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr.," "Jim Henson's Fantastic World," ...

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Creators:
Beach, Chester, 1881-1956
Dates:
1846-1999
bulk 1895-1999
Size:
7.32 Linear feet
Collection ID:
AAA.beacches
Repository:
Archives of American Art

The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

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Creators:
Jett, Ruth M.
Dates:
1914-2014
Size:
7.8 Linear feet
0.242 Gigabytes
Collection ID:
AAA.jettruth
Repository:
Archives of American Art

The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.

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Creators:
Berryman family (Washington, D. C.)
Dates:
1829-1984
bulk 1882-1961
Size:
11.4 Linear feet
Collection ID:
AAA.berrfami
Repository:
Archives of American Art

The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and to a lesser extent, son Jim Berryman.

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Creators:
Print Council of America
Dates:
1951-2016
Size:
24.5 Linear Feet
2.34 Gigabytes
Collection ID:
AAA.princoun
Repository:
Archives of American Art

The records of the Print Council of America measure 24.5 linear feet and 2.34 gigabytes, and date from 1951 to 2016. The collection includes administrative files, correspondence and subject files, interviews, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.

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Dates:
2010-2012
Size:
29 video recordings (1 archives box)
Collection ID:
ACMA.01-007.16
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Cooper-Hewitt Museum. Development Office
Dates:
1970-1990
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Record Unit 546
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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6091 records — Page 120 of 610