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Creators:
National Portrait Gallery. Office of Public Affairs
Dates:
1990-2012
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 14-301
Repository:
Smithsonian Institution Archives

This accession consists of records that publicize the exhibitions, acquisitions, events, lectures, symposia, and other related public programs of the National Portrait Gallery. Also included are materials produced when the office was known as the Office of External Affairs. Materials include press releases, brochures, press kits, audio recordi...

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Creators:
Thiebaud, Wayne
Dates:
1944-2001
Size:
1 Linear foot
Collection ID:
AAA.thiewayn
Repository:
Archives of American Art

The papers of Sacramento painter, printmaker, and teacher Wayne Thiebaud date from 1944 through 2001 and measure 1.0 linear foot. Thiebaud's prolific painting career is documented in this collection mostly through exhibition catalogs, printed materials, original artwork, photographs, and ephemera. His career as an art professor at the University of California at Davis is documented to a lesser extent.

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Creators:
Farber, Joan C., Dr.
Farber, Joseph C., 1903-1994
Dates:
circa 1930-1990
Size:
15 Cubic feet (90 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0520
Repository:
Archives Center, National Museum of American History

The Farber collection documents images of celebrated American buildings by photographer Joseph C. Farber.

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Creators:
Langsner, Jules, 1911-1967
Dates:
circa 1910s-1998
bulk 1950-1967
Size:
4.4 Linear feet
Collection ID:
AAA.langjule
Repository:
Archives of American Art

The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

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Creators:
Smithsonian Resident Associate Program. Studio Arts Program
Dates:
1982-1990
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 91-145
Repository:
Smithsonian Institution Archives

This accession consists of records that docuement the Resident Associates Program, Studio Arts Department's involvement with the Discover Graphics Program. Materials include correspondence and memoranda that document student exhibitions, funding proposals, teacher training, publicity, lithography, and inventory; course descriptions; list ...

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1981-1989
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 00-114
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and execution of television productions for the "Here at the Smithsonian" (HATS) series. Also included are developmental materials for ideas that were not carried through to a full production, as well as material relating to singular projects unrelated to HATS. Su...

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Creators:
Stanley-Brown, Joseph, 1858-1941
Dates:
circa 1888-1898
Size:
460 Lantern slides (circa)
silver gelatin; 27 mounted panoramas (each made from 3-5 prints)
Collection ID:
NAA.PhotoLot.54
Repository:
National Anthropological Archives

Lantern slides, probably largely collected by Joseph Stanley-Brown while stationed at Dutch Harbor in charge of the Pribilof Island seal fisheries, from 1890-1898. Images of Alaska include scenery, towns, seal hunting and preparation, fishing, whaling, boats, churches, livestock, Inuit and Aleut people, and the Chilkoot Pass and images relating to...

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Creators:
Glenn, Constance, 1933-
Dates:
1960s-2014
Size:
17.1 Linear feet
6.88 Gigabytes
Collection ID:
AAA.glencons
Repository:
Archives of American Art

The papers of writer, art historian, and curator Constance Glenn measure 17.1 linear feet and 6.88 GB and date from the 1960s to 2014. The material documents Glenn's career through correspondence, writings, book project files, exhibition documentation, professional records, research files, printed and digital material, and some photographs. Also well documented is Glenn's tenure as Museum Director and educator at California State University, Long Beach.

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Creators:
Karp, Ivan
Dates:
circa 1945-2012
bulk 1969-2012
Size:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Collection ID:
NAA.2013-30
Repository:
National Anthropological Archives

Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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