279 records — Page 13 of 28
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Creators:
Smithsonian Resident Associate Program
Dates:
1985-1990
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 92-069
Repository:
Smithsonian Institution Archives

This accession consists of administrative records from the Smithsonian Resident Associate Program (SNAP).

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Creators:
National Museum of American History.
Dates:
circa 1983-1994 and undated
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Accession 00-002
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research fil...

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Dates:
1996
Size:
160 audiotapes (originals). 15 audiotapes (reference copies).
Collection ID:
Record Unit 9594
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Travis, Lillian E., 1886-1961
Dates:
1917-1984
Size:
0.2 Linear Feet
Collection ID:
AAA.travlill
Repository:
Archives of American Art

The Lillian E. Travis papers relating to William Glackens and Charles Prendergast measure 0.2 linear feet and date from 1917-1984. The majority of the collection consists of photographs of William Glackens, his family, and friends, Charles and Maurice Prendergast. The papers also include Ira Glackens's letters to Marion Travis and printed material.

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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed materials, photographic materials of artwork and exhibitions, sound, video, and film recordings, and scattered electronic records. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
National Museum Act Program
Dates:
1966-1986
Size:
53 cu. ft. (53 record storage boxes)
Collection ID:
Record Unit 574
Repository:
Smithsonian Institution Archives

The National Museum Act (NMA) of 1966 affirmed the Smithsonian Institution's traditional role of assisting other museums and authorized the Institution to strengthen its activities of service to them. Funds appropriated to the Smithsonian for the implementation of the National Museum Act were made available primarily by grants and contracts ...

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Dates:
1813-1953
bulk 1915-1925
Size:
4.4 Linear feet
Collection ID:
AAA.archamea
Repository:
Archives of American Art

Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 consists of almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Creators:
Cahill, Holger, 1887-1960
Dates:
1910-1993
bulk 1910-1960
Size:
15.8 Linear feet
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.

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279 records — Page 13 of 28