293 records — Page 13 of 30
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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1966-2017
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 19-136
Repository:
Smithsonian Institution Archives

This accession consists of records documenting declined artwork offered by artists, private collectors, dealers, art galleries, foundations, corporations, and through estates and loans to the Smithsonian American Art Museum. Earlier records date back to when the museum was known as the National Museum of American Art and the National Collectio...

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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Dates:
1865–1872
Size:
23 Reels
Collection ID:
NMAAHC.FB.M1901
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M1901. These digital surrogates reproduced the records of the Arkansas staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Japanese Art
Dates:
1976-2011
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 19-087
Repository:
Smithsonian Institution Archives

This accession consists of records created or maintained by Ann Yonemura, Museum Specialist, 1976-1979; Assistant Curator, 1979-1990; and Associate Curator, 1990-2018. These documents pertain to endowments, interactions with professional colleagues, organizations, donors, collectors, and researchers regarding research, collections, acquisition...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1971-2010
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 12-612
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include Virginia M. Mecklenburg, Joann Moser, Toby Jurovics, and Merry A. Foresta. Also includes materials ...

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Creators:
National Museum of Natural History. Department of Paleobiology
Dates:
1955-2003
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 09-204
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, memoranda and project files documenting the work of Richard H. Benson (1929-2003). Benson was an expert on animal forms and served as chair of the Paleobiology Department from 1997-2001.

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Creators:
Palmer, Edward, 1829-1911
Safford, William Edwin, 1859-1926
Archer, William Andrew
Dates:
1869-1920
Size:
3.5 Linear feet
Collection ID:
NAA.1981-55
Repository:
National Anthropological Archives

The collection includes not only Palmer's own material but also that of William E. Safford, William Andrew Archer, Joseph Nelson Rose, William Ralph Maxon, and Frederick Vernon Coville that concern Palmer. The collection was in the custody of the Department of Botany of the National Museum of Natural History before it was transferred to the National Anthropological Archives. Other than the biographical material, the subject matter is largely botanical and concerns collecting activities in Mexico, Arizona, California, Utah, Texas, and Idaho.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
undated
Size:
0.23 Cubic feet (consisting of .5 box.)
Collection ID:
NMAH.AC.0060.S01.01.Commercial
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Commercial Laundries forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Ball, Fred Uhl, 1945-1985
Dates:
1936-2002
Size:
1 Linear foot
Collection ID:
AAA.ballfred
Repository:
Archives of American Art

The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.

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Creators:
Rosenthal, Nan
Dates:
circa 1940-2013
Size:
17.1 Gigabytes
26.6 Linear feet
Collection ID:
AAA.rosenan
Repository:
Archives of American Art

The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.

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293 records — Page 13 of 30