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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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undated
circa 1837-1964
- Size:
-
1.17 Cubic feet (consisting of 1.5 boxes, 1 folder, 2 oversize folders, 1 map case folder, 1 flat box (partial).)
- Collection ID:
- NMAH.AC.0060.S01.01.Indians
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Indians forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Eaglewing, Chief
- Dates:
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circa 1926-1932
- Size:
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17 Film reels (2 hours 35 minutes, black-and-white silent; 3700 feet, 35mm)
Photographs
- Collection ID:
- HSFA.1984.18
- Repository:
-
Human Studies Film Archives
Outtakes shot of tribes of the western, southwestern, and northern United States. Footage includes Klamath, Karuk, Yurok, Hupa, Navajo, Zuni, Hopi, Chippewa, Apache, and Cheyenne, and Sioux and is believed to have been shot in conjunction with the edited film INTERTRIBAL INDIAN LIFE AND CULTURE. Shots of ethnographic interest include Hupa foodways,...
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- Creators:
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White, Leslie A., 1900-1975
- Dates:
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undated
- Size:
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63 Drawings
- Collection ID:
- NAA.MS4607
- Repository:
-
National Anthropological Archives
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- Dates:
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1921-1979
- Size:
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13 Linear feet (26 boxes, 2 audio reels)
- Collection ID:
- NAA.2006-22
- Repository:
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National Anthropological Archives
The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.
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- Creators:
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Freeman, Ethel Cutler, 1886-1972
- Dates:
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circa 1949-1950
- Size:
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Film reels (3 hours 40 minutes, color silent; 6900 feet, 16mm)
- Collection ID:
- HSFA.1986.11F
- Repository:
-
Human Studies Film Archives
Collection consists of films shot in Africa and Florida by Ethel Cutler Freeman. The films form part of the Ethel Cutler Freeman papers in the National Anthropological Archives. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical docume...
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- Creators:
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Farber, Joseph C., 1903-
- Dates:
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circa 1970-1975
- Size:
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6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
- Collection ID:
- NAA.PhotoLot.78-1
- Repository:
-
National Anthropological Archives
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos,...
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- Creators:
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Wrather, William Embry, 1883-1963
- Dates:
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circa 1926-1941
- Size:
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3 Film reels (47 minutes, black-and-white color silent; 1261 feet, 16mm)
- Collection ID:
- HSFA.1991.14
- Repository:
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Human Studies Film Archives
William Wrather's amateur footage of the "Indian Fair" at Gallup, New Mexico and other footage of New Mexio and Arizona from the 20s through the early 1940s. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents ma...
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- Creators:
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Freeman, Ethel Cutler, 1886-1972
- Dates:
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1934-1972
- Size:
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61.03 Linear feet (114 boxes)
- Collection ID:
- NAA.XXXX.0166
- Repository:
-
National Anthropological Archives
Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.
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- Creators:
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Roberts, Frank H. H. (Frank Harold Hanna), 1897-1966
- Dates:
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1921-1941
- Size:
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ca 3100 Photographs (Prints: 8 boxes;
Nitrate negatives: 15 boxes, 1 MS folder;
Acetate negatives: 8 boxes;
Glass negatives: 2 boxes plus sink-mats;
Lantern slides: 4 trays)
- Collection ID:
- NAA.PhotoLot.4851
- Repository:
-
National Anthropological Archives
This material forms the photographic component of MS 4851, the Frank H.H. Roberts, Jr. papers. The bulk of the photographs document Pueblo and Basketmaker period sites excavated by Roberts, particularly in Colorado, Arizona, and New Mexico, and Paleo-Indian sites including Lindenmeier in Colorado and San Jon in New Mexico. In addition there are photographs of the Shiloh Mound site in Tennessee. Other sites studied by Roberts around the United States are represented to a smaller degree. There is also a small series that relates to sites outside the United States. The collection includes images of human remains.
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- Creators:
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Smithsonian Institution. Bureau of American Ethnology
- Dates:
-
undated
- Size:
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1 Watercolor
3 Prints (silver gelatin)
120 Items (circa 120 line drawings)
20 Graphite drawings
- Collection ID:
- NAA.PhotoLot.78-51
- Repository:
-
National Anthropological Archives
Mostly images of artifacts, architecture, peoples, and some maps published in various Bureau of American Ethnology publications, particularly the Annual Reports. Most of the line drawings were made by Henry Hobart Nichols, while most of the graphite drawings were possibly created by Edward Schumacher.