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Creators:
garcia, iliana emilia, 1970-
Dates:
1987-2014
Size:
0.5 Linear feet
Collection ID:
AAA.garcilia
Repository:
Archives of American Art

The papers of multimedia artist and designer iliana emilia garcia measure 0.5 linear feet and date from 1987 to 2014. The collection is comprised of art reproductions, an annotated book, booklets and pamphlets for events and organizations, exhibition announcements and catalogs, and clippings that relate to garcia along with some material related to her sister Scherezade Garcia. The collection also includes one photograph of garcia's Paid/Received installation and student documents from Altos de Chavon.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Design and Production
Dates:
1986-1995, 2001-2011
Size:
9.82 cu. ft. (1 record storage box) (2 16x20 boxes) (58 oversize folders)
Collection ID:
Accession 18-078
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the design process for exhibitions. The majority of the accession consists of exhibition drawings and floor plans for the Arthur M. Sackler Gallery with a smaller amount of material documenting exhibition updates and reinstallations at the Freer Gallery of Art. In addition to drawings, materials ...

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Creators:
Thomas, Alma
Dates:
circa 1894-2001
Size:
5.5 Linear feet
Collection ID:
AAA.thomalma
Repository:
Archives of American Art

The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

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Creators:
Halper, Nathan
Dates:
1952-1979
Size:
4.2 Linear feet
Collection ID:
AAA.halpnath
Repository:
Archives of American Art

Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

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Creators:
Marilyn Pearl Gallery
Dates:
1925-2000
bulk 1976-1993
Size:
7.4 Linear feet
Collection ID:
AAA.maripeag
Repository:
Archives of American Art

The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

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Creators:
Cooper-Hewitt Museum. Development Office
Dates:
1970-1990
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Record Unit 546
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Tanager Gallery
Dates:
1952-1979
Size:
2.6 Linear feet
Collection ID:
AAA.tanagall
Repository:
Archives of American Art

The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
1981-1993
Size:
7 cu. ft. (7 record storage boxes) (9 folders oversize materials)
Collection ID:
Accession 97-012
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and production of exhibitions for the Thomas M. Evans Special Exhibition Gallery in the National Museum of Natural History. Included are photographs and slides of installation of exhibitions, artifacts, and openings; budget and financial documents; planning files; public relations ...

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Creators:
McCoy, Esther
Dates:
circa 1876-1990
bulk 1938-1989
Size:
44.4 Linear feet
Collection ID:
AAA.mccoesth
Repository:
Archives of American Art

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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