Warren M. Robbins Papers
These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul …
Brooke Hindle Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
94th Fighter Squadron Collection [Bertoglio]
The 94th Fighter Squadron Collection includes photographs taken by James Bertoglio, including twenty-five 8x10 inch black and white prints; twenty-one 4x5 inch black and white contact prints; fifty-three 4x5 inch black and white negatives, some of which are copy negatives; six black and white negatives in various sizes, and six color copy negatives. Subjects …
Bureau of American Ethnology illustrations for publications
3 Prints (silver gelatin)
120 Items (circa 120 line drawings)
20 Graphite drawings
Mostly images of artifacts, architecture, peoples, and some maps published in various Bureau of American Ethnology publications, particularly the Annual Reports. Most of the line drawings were made by Henry Hobart Nichols, while most of the graphite drawings were possibly created by Edward Schumacher.
Book of drawings by Anonymous Kiowa artist
Twenty drawings on 11 leaves of ruled paper in a commercial notebook, now disbound. Drawings depict: rituals associated with the sun dance, warfare, dancers, men seated in painted tipis, mounted warriors, and a train.
Catherine Burt vertical file on black women
The collection, which dates from the 1980s and measures 1.42 linear feet, was compiled in the course of preparations for the "Black Women: Achievements Against the Odds" exhibit, which was staged at the Anacostia Museum from February 1976 to December 1976. This collection documents the lives and achievements of African American women in a variety of fields, including law, medicine, education, politics, science and the arts. The collection is comprised of documents, magazine and newspaper clippings, correspondence, photocopies, brochures and pamphlets.
Smithsonian World, Records
This accession consists of production elements and records, maintained by Sandra Wentworth Bradley, created for "Smithsonian World," an educational television series that explored people, ideas, and events that shape world culture, blending art, science, history, and the humanities to create an exciting harmony among disciplines. The production was narrated by …
Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and letters. A large amount of correspondence …
This record unit contains some information on post-World War II exhibition planning at the Smithsonian. However, in the main, they document the involvement of the Office of the Director in exhibition planning at the Museum of History and Technology (MHT) from its creation in 1957 through 1965. Directors represented in this collection …
Kimowan Metchewais [McLain] collection
1918 Slides (photographs)
989 Polaroid prints
0.8 Linear feet
1,496 Photographic prints
The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.