Smithsonian Folklife Festival records: 1988 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Denys Wortman papers
The papers of cartoonist Denys Wortman measure 2.0 linear feet and date from 1887 to 1980. The collection includes biographical material, correspondence, personal business records, writings, interviews, artwork, printed material, and photographs.
Museum of the American Indian/Heye Foundation records
Heye, George G. (George Gustav), 1874-1957
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Jacques Seligmann & Co. records
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.
This collection consists primarily of reports, notebooks, notes, photographs, maps, and related materials documenting field research conducted by staff naturalists of the United States Fish and Wildlife Service and its predecessor, the Bureau of Biological Survey. The reports, which primarily concern biological surveys conducted in the United States, are usually …
John Henry Bradley Storrs papers
The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790-2007, with the bulk of the papers dating from 1900 to 1956. The collection contains biographical material, correspondence, personal business records, forty-eight diaries of John Storrs, a few diaries of other family members, additional writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. Correspondence includes that of John Storrs, Marguerite Storrs, and the Storrs family.
George H. Clark Radioana Collection
The collection forms a documentary record of over half a century of the history of radio, with the greatest emphasis on the period 1900-1935. The collection includes materials that span the entire history of the growth of the radio industry. It is useful for those historians and other researchers interested in technological development, economic history, and the impact of applications of technology on American life.
Francis V. O'Connor papers
The papers of New York art historian Francis O'Connor measure 23.4 linear feet and 0.001 GB and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.
This accession consists of records primarily created by Carl W. Mitman during his tenure as Curator of the Division of Mechanical Technology, 1921-1932, and Head Curator of the Department of Arts and Industries, 1932-1948, United States National Museum. These files create a biographical sketch of a multitude of engineers, inventors, and industrialists …
These records document the history of the United States National Museum, Division of Plants (1919-1947) and Department of Botany (1947-1949) while Ellsworth Paine Killip was an aid, assistant curator, associate curator, and curator of the Division and the Department, as well as personal correspondence between Killip and his colleagues documenting their personal …