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Creators:
Imhof, Joseph, 1871-1955
Rinehart, F. A. (Frank A.)
Goff, O. S. (Orlando Scott), 1843-1917
Dates:
circa 1894-1964
Size:
89 Glass plate negatives
127 Photographic prints
116 Copy negatives
Collection ID:
NMAI.AC.142
Repository:
National Museum of the American Indian

This collection includes glass plate negatives, copy negatives and photographic prints taken and collected by Joseph Imhof, a lithographer and painter known for documenting Pueblo culture in New Mexico. These include images shot by Imhof in Acoma, Isleta, Santa Clara (K'apovi) and Taos Pueblos; glass plate negatives (copies) of Frank Rinehart portraits; original glass plate negatives made by Orlando Scott Goff among the Apsáalooke (Crow/Absaroke) in Montana circa 1894; photographic prints of Imhof artworks; and photographs of Joseph and Sarah Imhof and their home in Taos, New Mexico.

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Creators:
National Museum of American History. Office of Curatorial Affairs
Dates:
1984-1997
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 17-113
Repository:
Smithsonian Institution Archives

This accession consists of the records of Lonnie G. Bunch, Associate Director of the Office of Curatorial Affairs, which document his role as project manager for the planning, development, and production of the exhibition "Land of Promise: America in the 19th Century" and related programs at the National Museum of American History (NMAH). ...

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Creators:
Burn, Farrar, 1888-1974
Burn, June, 1893-1969
Dates:
1920-1921
Size:
12 Glass plate negatives
13 Copy negatives
Collection ID:
NMAI.AC.131
Repository:
National Museum of the American Indian

This collection includes negatives from June and Farrar Burn's time in Gambell, St. Lawrence Island, Alaska between 1920 and 1921. The Burns were granted teaching appointments from the Bureau of Education in the Alaska School Service and assigned to Gambell where they lived for a year, working closely with the Yuit (Siberian Yup'ik) community there.

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Dates:
1884-1917, undated
Size:
0.66 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1466
Repository:
Archives Center, National Museum of American History

The collection consists of printed materials and ephemera relating to "Wild West" shows.

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Creators:
Brooks, Edward
Dates:
1942-1946
Size:
30 acetate negatives (black and white, 5 x 7 inches.)
Collection ID:
NMAI.AC.001.025
Repository:
National Museum of the American Indian

This collection contains 30 black-and-white acetate negatives dating from 1942-1946. Taken by archaeologist Edward Brooks, the majority of the images portray the Guida Farm Site excavation in Westfield, Massachusetts, along with related archaeological objects. The remaining images are from Charlemont, Massachusetts and Vergennes, Vermont.

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Creators:
Lüthy , Werner, 1899-1967
Dates:
circa 1931
Size:
0.02 Linear feet
14 Photographs
Collection ID:
NMAI.AC.189
Repository:
National Museum of the American Indian

This collection contains 14 photographs depicting the Barí (Motilone) and Wayuu (Guajira/Goajiro) peoples of Venezuela circa 1930-1931.

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Creators:
Snake, Reuben, 1937-1993
Dates:
1970-1996
Size:
1.25 Linear feet (3 archival boxes)
Collection ID:
NMAI.AC.012
Repository:
National Museum of the American Indian

The Reuben A. Snake, Jr. Papers, located in the Cultural Resource Center of the National Museum of the American Indian, contain writings, correspondence, biographical materials, and written materials relating to the Native American Church which document the literary and political activities of this Winnebago tribal leader.

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Creators:
National Congress of American Indians
Dates:
1952-1997
Size:
24 Videoreels (1/2 inch)
1 Videocassettes (Hi8)
3 Sound cartridges
1 Sound recording (dictaphone belt)
10 Videocassettes (VHS)
442 Sound tape reels (1/4" open reel)
30 Videocassettes (U-matic)
713 Sound cassettes
Collection ID:
NMAI.AC.010.001
Repository:
National Museum of the American Indian

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

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Creators:
Hersh, Phyllis
Lensen-Tomasson, Nancy, 1931-
Dates:
1974-2008
bulk 1975-1980
Size:
89 Negatives (photographic)
536 Photographic prints
1.3 Linear feet
Collection ID:
NMAI.AC.023
Repository:
National Museum of the American Indian

The Phyllis Hersh collection consists of papers and photographs associated with a book project on contemporary Hopi, Navajo, Santo Domingo, and Zuni jewelry and jewelers. The collection measures 1.3 linear ft. of mansucript materials, 521 photographic prints, and 85 photographic negatives, and dates from 1974 to 2008, with the bulk of the material dating from 1975 to 1980. The papers primarily document Hersh's work on "The Indian Jewelers' Art," an unfinished book on contemporary Native American jewelry.

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Creators:
Hight, George C.
Dates:
circa 1963-1964
Size:
23 Slides (photographs) (color)
38 Negatives (photographic) (black and white)
Collection ID:
NMAI.AC.039
Repository:
National Museum of the American Indian

Images include domestic and ceremonial scenes of Navajo Indians. Ceremonies include Blessing Way Ceremony, Enemy Way Ceremony,and Hoop Ceremony.

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