549 records — Page 13 of 55
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Creators:
The Arctic Circle (Gallery: Los Angeles, Calif.)
Witt, Ellen, 1917-2007
Witt, Bert
Dates:
1967-1987
bulk 1971-1986
Size:
634 slides (photographs)
152 Photographs
1.6 Linear feet
Collection ID:
NMAI.AC.004
Repository:
National Museum of the American Indian

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

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Creators:
Anacostia Community Museum
Dates:
2000
Size:
0.6 Linear feet (2 boxes)
Collection ID:
ACMA.03-004
Repository:
Anacostia Community Museum Archives

This show presented photographs and photo media based art work produced by black photographers from 1840 to the present. The images in the exhibition form a technical history of the medium as well as a pictorial history of African Americans. Curated by Deborah Willis , the show was exhibited at the Smithsonian Arts and Industries Building, South Gallery from February 4 to June 30, 2000.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
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Dates:
1948-1949
Size:
2 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1994
Size:
320 Boxes
The subseries consists of black and white silver gelatin negatives..
Collection ID:
NMAH.AC.0618.S04.04
Repository:
Archives Center, National Museum of American History

The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
El-Baz, Farouk
Dates:
1927-2012
Size:
88.891 cu. ft. (80 record storage boxes) (14 tall document boxes) (1 16x20 box)
Collection ID:
Accession 17-262
Repository:
Smithsonian Institution Archives

Farouk El-Baz (1938- ) was born in Zagazig, Egypt. He received a B.S. in Chemistry and Geology in 1958 from Ain Shams University, Cairo. In 1960 he came to the United States, where he earned an M.S. in geology at the Missouri School of Mines and Metallurgy in 1961 and a Ph.D. in geology at the University of Missouri in 1964. After teaching ...

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1971-1972
Size:
5 Boxes
The subseries consists of black and white silver gelatin negatives and index cards.
Collection ID:
NMAH.AC.0618.S04.07
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.7 consists of black and white silver gelatin negatives and index cards. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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549 records — Page 13 of 55