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- Creators:
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Jaudon, Valerie, 1945-
Berman, Avis
United States. General Services Administration. Design Excellence and the Arts Oral History Project
- Dates:
-
2009 Oct. 8-Dec. 22
- Size:
-
3 Items (Sound recording, master: 3 WMA files (5 hr., 43 min.), digital, 2 5/8 in.)
95 Pages (Transcript)
- Collection ID:
- AAA.jaudon09
- Repository:
-
Archives of American Art
An interview of Valerie Jaudon conducted 2009 Oct. 8-Dec. 22, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Jaudon's studio, in New York, N.Y.
Found In
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- Creators:
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Dodd, Lamar
- Dates:
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1928-1976
- Size:
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0.1 Linear feet (circa 4,800 items on 6 microfilm reels)
- Collection ID:
- AAA.doddlama
- Repository:
-
Archives of American Art
Biographical material; material related to the University of Georgia; lectures and writings; agenda, reports and correspondence from 1957-1963 relating to the State Department's Advisory Commission on Educational Exchange Board of Foreign Scholarship, People-to-People Program and other international art projects; correspondence, printed material, a...
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- Creators:
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Rathbun, Mary Jane, 1860-1943
- Dates:
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1886-1938 and undated
- Size:
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3.5 cu. ft. (7 document boxes)
- Collection ID:
- Record Unit 7256
- Repository:
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Smithsonian Institution Archives
The papers of Mary Jane Rathbun document her career as a carcinologist and consist of correspondence, 1894-1938; manuscripts; research material; photographs; and an autobiographical memoir.
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- Creators:
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Lewis, Monty, 1907-1997
- Dates:
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1928-[ca. 1960.]
- Size:
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1.6 Linear feet
- Collection ID:
- AAA.lewimont
- Repository:
-
Archives of American Art
REEL LA 2: A clipping, August 28, 1955, about Lewis; a book, Murals by American Painters and Photographers, Museum of Modern Art, 1932; a catalog, "The Bulletin of the Museum of Modern Art", vol. 4, July 1937; a newsletter, "Conferences on Inter-American Relations in the Fields of Art, Music, Education and Publications and Libraries, 1939-1940," Ma...
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- Creators:
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Sambugnac, Alexander, 1888-1965
- Dates:
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1909-1964
- Size:
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800 Items
- Collection ID:
- AAA.sambalex
- Repository:
-
Archives of American Art
Biographical materials, including certificates of U.S. citizenship, voter registration, and marriage for Sambugnac and his wife Ana; addresses of artists and construction contractors; letters from his family in Hungary, from Capital Products Inc., and the governments of Cuba and the Dominican Republic concerning sculpture commissions; notes and dra...
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- Creators:
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Mulas, Ugo
- Dates:
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1965 July
- Size:
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0.6 Linear feet (ca. 530 photographic prints (on 2 microfilm reels))
- Collection ID:
- AAA.mulaugo
- Repository:
-
Archives of American Art
Photographs of David Smith's home, studios, and sculpture, taken in situ at Bolton Landing, N.Y., after Smith's death.
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- Creators:
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Kaplan, Muriel
- Dates:
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1971-1977
- Size:
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0.4 Linear feet
- Collection ID:
- AAA.kaplmuri
- Repository:
-
Archives of American Art
Letters, a grant proposal, photographs, printed material, and miscellany relating to Jacques Lipchitz's sculptures.
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- Creators:
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McVey, William Mozart, 1905-1995
McVey, Leza
- Dates:
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1932-1974
- Size:
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22.8 Linear feet ((microfilmed on 22 reels))
- Collection ID:
- AAA.mcvewill
- Repository:
-
Archives of American Art
Papers regarding sculptor William McVey and to a lesser extent his wife, ceramist and weaver, Leza McVey.
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- Creators:
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Brown, Judith S., 1931-1992
- Dates:
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circa 1940-2002
- Size:
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3.3 Linear feet
- Collection ID:
- AAA.browjudi
- Repository:
-
Archives of American Art
The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files, printed material, photographs, artwork, and one videocassette recording.
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- Creators:
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Gilliam, Sam, 1933-
- Dates:
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1957-1989
- Size:
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7.9 Linear feet
- Collection ID:
- AAA.gillsam
- Repository:
-
Archives of American Art
The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.