Allen Tupper True and True family papers
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- Creators:
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True, Allen Tupper, 1881-1955
- Dates:
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1841-1987
- Size:
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8.2 Linear feet
- Collection ID:
- AAA.truealle
- Repository:
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Archives of American Art
The Allen Tupper True and True family papers date from 1841 to 1987 and measure 8.2 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes.
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1832-1977
- Size:
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60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
- Collection ID:
- NMAH.AC.0060.S01.01.Railroads
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1795-1965
- Size:
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1 Cubic foot (consisting of 2 boxes, 2 folders, 3 oversize folders.)
- Collection ID:
- NMAH.AC.0060.S01.01.Physical
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Physical Culture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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March, Benjamin, 1899-1934
- Dates:
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1923-1934
- Size:
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15 Linear feet
- Collection ID:
- FSA.A1995.10
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.
Found In
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- Creators:
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Bachelet, Emile, 1863-1946
Bachelet, Albert E.
- Dates:
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1890 - 1973
- Size:
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0.3 Cubic feet (3 boxes)
- Collection ID:
- NMAH.AC.0302
- Repository:
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Archives Center, National Museum of American History
The collection documents Emile Bachelet, inventor of electro-magnetic therapeutic devices for the treatment of rheumatism.
Found In
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- Creators:
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Browning, Bil
Davis, Jerame
Davis, Jerame Joe, 1975-
Browning, William Dale, 1972-
More … - Dates:
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1972-2015, undated
- Size:
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3.15 Cubic feet (13 boxes)
- Collection ID:
- NMAH.AC.1334
- Repository:
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Archives Center, National Museum of American History
Bil Browning and his husband, Jerame Davis were activists for LGBT issues, locally in Indiana as well as nationally in Washington, D.C.
Found In
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- Creators:
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Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1925-1993
- Size:
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19 Boxes
The subseries contains black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.11
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Hunt, Leigh H. (Leigh Harrison), 1858-1937
- Dates:
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1870-1937
- Size:
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5.9 Linear feet
- Collection ID:
- AAA.huntleig
- Repository:
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Archives of American Art
The collection measures 5.9 linear feet, dates from 1870-1937, and documents the career of art history instructor, printmaker, and physician Leigh Harrison Hunt. Found within the papers are scattered biographical material for Hunt; letters; miscellaneous financial records; diaries written by his wife Grace Storrs Hunt; notes and writings; art work by Hunt; scrapbooks; miscellaneous printed material; photographs; and commercial printing blocks.
Found In
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
More … - Dates:
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1948-1949
- Size:
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2 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.09
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1900-1994
- Size:
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320 Boxes
The subseries consists of black and white silver gelatin negatives..
- Collection ID:
- NMAH.AC.0618.S04.04
- Repository:
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Archives Center, National Museum of American History
The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.