Query: Glass
Charles G. Abbot Papers, and Records of the Smithsonian Astrophysical Observatory
Creators:
Abbot, C. G. (Charles Greeley), 1872-1973
Dates:
1889-1973
Size:
117.23 cu. ft. (3 record storage boxes) (205 document boxes) (4 16x20 boxes) (2 3x5 boxes) (1 tall document box) (2 18x24 boxes) (3 microfilm reels)
Collection ID:
Record Unit 7005
Repository:
Smithsonian Institution Archives

These papers consist mainly of records of the Astrophysical Observatory (also abbreviated APO) under the Directorship of Samuel P. Langley, Charles G. Abbot, and Loyal Blaine Aldrich.

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Philip L. Ravenhill photographs
Creators:
Ravenhill, Philip L.
Dates:
1989
Size:
2 Volumes (slides , color)
1 Boxe (dupe slides, color)
Collection ID:
EEPA.1989-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.

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Ivory Soap Advertising Collection
Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
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Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

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in NMAH.AC.0791 for Glass
Leo Castelli Gallery records
Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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Records
Dates:
circa 1867-1971
Size:
31.24 cu. ft. (59 document boxes) (3 tall document boxes)
Collection ID:
Record Unit 208
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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in Record Unit 208 for Glass
Building Files
Dates:
circa 1960-2000
Size:
24.5 cu. ft. (49 document boxes)
Collection ID:
Accession 09-007
Repository:
Smithsonian Institution Archives

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. Most records document the Smithsonian Institution Building ("Castle"). There are a few files on the Arts & Industries Building and other Smithsonian facilities. These records were compiled by the Office of …

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S. Joseph Begun Papers
Creators:
Begun, S. Joseph (Semi Joseph), 1905-1995
Dates:
1888-2000
bulk 1927-1995
Size:
21 Cubic feet (46 boxes)
Collection ID:
NMAH.AC.0535
Repository:
Archives Center, National Museum of American History

Semi Joseph Begun was a pioneer in magnetic recording. The papers document Begun's professional career in the field of magnetic recording.

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in NMAH.AC.0535 for Glass
Samuel J. Wagstaff papers
Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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in AAA.wagssamu for Glass
Central Administrative Records
Creators:
National Portrait Gallery (Smithsonian Institution). Administrative Office
Dates:
FY 1983-FY 1987
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 92-140
Repository:
Smithsonian Institution Archives

This accession consists largely of purchase orders for works of art and other artifacts acquired by the National Portrait Gallery from FY 1983 through FY 1987. It also includes records of other large transactions and purchases of items such as furniture and conservation equipment.

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Records
Creators:
Smithsonian Institution. Office of Grants and Risk Management
Dates:
1953-1980
Size:
85 cu. ft. (85 record storage boxes)
Collection ID:
Record Unit 484
Repository:
Smithsonian Institution Archives

These records document the fiscal administration of grants received by the Smithsonian Institution. They consist of correspondence, memoranda, budgets, and reports. Many of these records were kept by Phillip H. Babcock, who became an accountant in the Fiscal Division in 1964, chief of the Contracts and Grants Section in 1966, chief of …

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in Record Unit 484 for Glass