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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Edwards, Llewellyn N., 1873-1952
Work and Industry, Division of, NMAH, SI
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Dates:
1925-1964
Size:
2.3 Cubic feet (7 boxes )
Collection ID:
NMAH.AC.0959
Repository:
Archives Center, National Museum of American History

The collection documents Llewellyn Nathaniel Edwards, a civil engineer and bridge builder.

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Creators:
Gaskin, Mary
Gaskin, Leonard, 1920-
Dates:
undated
Size:
30 Cubic feet (129 boxes, 4 map folders)
Collection ID:
NMAH.AC.0900
Repository:
Archives Center, National Museum of American History

Papers documenting the life and career of bass player Leonard Gaskin, as well as documenting the numerous other musicians he was associated with in his long career. Gaskin's career encompasses a wide range of musical genres, including gospel, rock, folk, and Caribbean music. The papers include photographs, newspaper clippings, diaries, music manusc...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1865-1896
undated
Size:
2.33 Cubic feet (consisting of 5 boxes, 1 folder, 2 oversize folders, 1 map folder.)
Collection ID:
NMAH.AC.0060.S01.01.Corsets
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Corsets forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Archives Center, NMAH, SI.
Ravnitzky, Michael
Dates:
circa 1900-present
Size:
29 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0404
Repository:
Archives Center, National Museum of American History

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

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Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1835-1940
Size:
0.76 Cubic feet (consisting of 1.5 boxes, 1 folder, 2 oversize folders, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Baths
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Baths and Bathing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Wells, Ellen B.
Dates:
1874-2009
Size:
18 Cubic feet (20 boxes)
Collection ID:
NMAH.AC.0396
Repository:
Archives Center, National Museum of American History

The collection consists of cookbooks, but many would accurately be described as pamphlets. Also included are some labels from products that contain recipes. The cookbooks were produced by manufacturers of the ingredients of foods; by beverage producers; by the manufacturers of appliances for which certain recipes or ways of cooking were particularly appropriate; by trade associations; and by electric and power companies who produced cookbooks for their customers.

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Creators:
Smithson, James,1765-1829
Dates:
1764-1983
Size:
0.9 linear meter.
Collection ID:
Record Unit 7000
Repository:
Smithsonian Institution Archives

The James Smithson Collection lacks a great deal of his original papers. Richard Rush brought Smithson's personal effects to the United States in 1838, along with the proceeds from his estate. A fire in the Smithsonian building in 1865 destroyed many of the manuscripts originally acquired by the Institution. Correspondence a...

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Creators:
Dall, William Healey, 1845-1927
Dates:
circa 1839-1858, 1862-1927
Size:
32.36 cu. ft. (5 record storage boxes) (51 document boxes) (1 half document box) (4 5x8 boxes) (3 oversize folders)
Collection ID:
Record Unit 7073
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

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