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Creators:
Facci, Domenico, 1916-1994
Dates:
1914-1995
Size:
1.2 Linear feet
Collection ID:
AAA.faccdome
Repository:
Archives of American Art

The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

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Creators:
Uyehara, Grayce
Uyehara, Paul M.
Dates:
1929-2008
Size:
18 Cubic feet (18 boxes)
Collection ID:
NMAH.AC.1480
Repository:
Archives Center, National Museum of American History

The papers document the life and activism of Grayce Uyehara who was a pivotal figure within the Redress Movement and sought reparations for the incarceration of Japanese Americans during World War II.

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Creators:
Organization of Independent Artists
Dates:
circa 1970s-circa 2003
Size:
28.4 Linear feet
Collection ID:
AAA.orgainda
Repository:
Archives of American Art

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

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Creators:
Torpedo Factory Art Center
Dates:
1974-1996
Size:
4.7 Linear feet
Collection ID:
AAA.torpfaca
Repository:
Archives of American Art

The records of the Torpedo Factory Art Center measure 4.7 linear feet and date from 1974-1996. The collection documents the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States and includes organizational records, correspondence, business and financial records, lists and directories, reports, event files, printed material, and photographs.

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Creators:
National Museum of Natural History. Department of Botany
Dates:
1955-2009
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 09-267
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the career of Stanwyn G. Shetler. Materials include correspondence, memoranda, exhibition files, symposia and conference records, biographical information, lectures, writings, project files, photographs, field notes and lists, clippings and brochures.

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Creators:
Kramer, Carol, 1943-2002
Dates:
1943-2002,
bulk 1961-2002
Size:
31 Linear feet (64 boxes, 2 cassette tapes, 1 oversize box, 1 map drawer)
Collection ID:
NAA.2006-14
Repository:
National Anthropological Archives

The bulk of these papers document the professional life of Carol Kramer, a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology. Dating 1943-2002, the collection includes field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection.

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Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The ...

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Creators:
Smithsonian Institution, Assistant Secretary for Museums
Dates:
circa 1967-1988
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 91-005
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, memoranda, notes, proposals, sketches, architectural drawings; photocopied newspaper articles; published and unpublished manuscripts; pamphlets; photographs; and testimonies.

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Creators:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Lockwood Greene Engineers, Incorporated
Lockwood-Greene Company
Whitman, David
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Dates:
1784-2004
bulk 1915-1930
Size:
270 Cubic feet (233 boxes, 850 oversize folders)
Collection ID:
NMAH.AC.1113
Repository:
Archives Center, National Museum of American History

The engineering firm that became Lockwood Greene was founded by David Whitman, a mill engineer, in 1832. Amos D. Lockwood, a consultant, succeeded Whitman and entered a partnership with Stephen Greene in 1882. The firm specialized in industrial engineering and construction; they designed and built a wide variety of structures and work environments worldwide over the next century. Lockwood Greene was acquired by CH2M HILL in December, 2003. Before its acquisition by CH2MHILL it was reportedly the oldest industrial engineering, construction, and professional services firm in the United States.

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Creators:
Norman, Irving, 1906-1989
Norman, Hela
Dates:
circa 1920-2010
Size:
10 Linear feet
142.32 Gigabytes
Collection ID:
AAA.normirvi
Repository:
Archives of American Art

The papers of Irving and Hela Norman measure 10.0 linear feet and 142.32 GB and date from circa 1920 to 2010. The papers document the career of painter Irving Norman through biographical material; correspondence with family, friends, curators, art galleries, and museums; writings, exhibition records, personal business records, printed material, personal photographs, and photographs of his artwork. Also found are numerous audio and video interviews of Irving and Hela Norman. Some of the materials, interviews and photographs are digital.

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