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Creators:
Smithsonian Institution. Assistant Secretary in charge of the United States National Museum
Dates:
1875-1902
Size:
16.5 cu. ft. (33 document boxes)
Collection ID:
Record Unit 201
Repository:
Smithsonian Institution Archives

This record unit consists of two of the special files maintained by the Department of Correspondence and Documents. In 1902 a new system for maintaining records was established. Descriptions of the records are included as part of the series descriptions.

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Creators:
National Museum of American Art. Office of Museum Programs
Dates:
circa 1981-1987
Size:
10.5 cu. ft. (10 record storage boxes) (1 document box)
Collection ID:
Record Unit 504
Repository:
Smithsonian Institution Archives

These records consist of materials regarding the National Survey of Accessibility in Museums in the United States, carried out by the Office of Museum Programs. Some exhibition records are also included, most notably More Than Land or Sky: Art from Appalachia. Other records relating to the National Survey of Accessibility in Museums in th...

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1968-2010
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 11-021
Repository:
Smithsonian Institution Archives

These records document the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, photographs, slides, transparencies, scripts, itineraries, floor plans, checklists, clippings, budgets, proposals, brochures, notes, and other related records. Rec...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1871-1925
Size:
6.79 Cubic feet (consisting of 11 boxes, 2 folders, 10 oversize folders, 3 map case folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Photography
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Photography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Preble, Edward Alexander, 1871-1957
Dates:
1887-1957 and undated
Size:
3.4 linear meters.
Collection ID:
Record Unit 7252
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Voigt, Walter H.
Dates:
1891-1979
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1195
Repository:
Archives Center, National Museum of American History

The collection documents the history of brewing beer in the mid-Atlantic region primarily between the 1890s and the 1960s.

Collection consists of archival materials documenting the history of beer brewing in the mid-Atlantic region between the 1890s and 1960s.

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Creators:
Davis, Gene, 1920-1985
Dates:
1920-2000
bulk 1942-1990
Size:
17.7 Linear feet
Collection ID:
AAA.davigene
Repository:
Archives of American Art

The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

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Creators:
National Museum of American Art. Department of Graphic Arts
Dates:
1915, circa 1960-1993
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 95-143
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of Martina Roudabush Norelli, associate curator of Graphic Arts, and include original inventory sheets of works of art purchased from or donated by individuals and societies, including the Chicago Society of Etchers; minutes of meetings of professional societies; brochures fr...

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Creators:
Stout, George L. (George Leslie)
Dates:
1897-1978
1855
Size:
6 Linear feet
Collection ID:
AAA.stougeor
Repository:
Archives of American Art

The papers of conservator and museum director George Leslie Stout measure 6 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.

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Creators:
Johnson, Ellen H.
Dates:
1872-1994
bulk 1921-1992
Size:
55.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 55.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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