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Creators:
Paik, Nam June, 1932-2006
Dates:
1832-2008
bulk 1960-2000
Size:
55 Linear feet
Collection ID:
SAAM.NJP.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

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Creators:
Electricity and Modern Physics, Division of, NMAH, SI.
Hammer, William J. (Wiiliam Joseph), 1858-1934 ((electrical engineer))
Dates:
circa 1874-1935
1955-1957
Size:
36 Cubic feet (84 boxes, 16 folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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Creators:
Community Life, Div. of, NMAH, SI
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )
Dates:
circa 1920-1975
Size:
4.3 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.0161
Repository:
Archives Center, National Museum of American History

This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attentio...

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Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to American Indian or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff...

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Creators:
Richard York Gallery
Dates:
circa 1865-2005
bulk 1981-2004
Size:
89.5 Linear feet
Collection ID:
AAA.richyorg
Repository:
Archives of American Art

The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

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Creators:
Nochlin, Linda
Dates:
circa 1876
1937-2017
Size:
31.2 Linear feet
3.9 Gigabytes
Collection ID:
AAA.nochlind
Repository:
Archives of American Art

The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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Creators:
Laughlin, Robert M.
Dates:
1899-2016, bulk 1954-2016
Size:
39 videocassettes (vhs)
1 videocassettes (betamax)
20 cd-rs
6 electronic discs (dvd)
65.09 Linear feet
50 floppy discs
147 sound recordings
Collection ID:
NAA.2011-06
Repository:
National Anthropological Archives

Robert Moody Laughlin is an American ethnologist specializing in the study of Mayan language, history, customs, and folklore. He spent the majority of his career working for the Smithsonian Institution, first with the Bureau of American Ethnology, then with the Department of Anthropology. He has been a curator emeritus with the department since his retirement in 2006. The Robert Moody Laughlin papers (1899-2016, bulk 1954-2016) document his research and professional activities and primarily deal with language and folktales he recorded and studied, as well as the culture and history of the Tzotzil and other Mayan groups in the Chiapas region. His involvement in language education and training, advocacy for the Tzotzil and language and cultural revitalization, and administrative matters at the Smithsonian are also represented. The collection consists of materials created for books and other publications, field notes, research materials, correspondence, administrative files, sound recordings, video recordings, photographs, and electronic records.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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