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Creators:
Smithsonian Institution. Office of Physical Plant
Dates:
1982-2000
Size:
111 cu. ft. (111 record storage boxes)
Collection ID:
Accession 04-013
Repository:
Smithsonian Institution Archives

This accession includes project files documenting Office of Physical Plant (OPP) renovation and reconstruction activities of Smithsonian museums and facilities. Materials include correspondence, memoranda, and notes; blueprints and drawings; budget summaries; proposals; reports; and photographs. Each folder includes the OPP project number, ...

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
MacDowell, Helen Sandford, 1889-
Pease, L.F.
Prince, Georgiana K., 1861-1915
Sandford Greeting Card Company
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Dates:
1831-2004
Size:
8 Cubic Feet (37 boxes)
Collection ID:
NMAH.AC.1252
Repository:
Archives Center, National Museum of American History

Collection documents the business activities of the Sandford Card Company and include the papers of Mary Elizabeth Sandford, founder of the company, and her immediate family.

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Creators:
Waugh, Donald.
Waugh, Leuman Maurice, 1877-1972.
Dates:
1909-1963
Size:
2.1 Linear feet ((5 boxes; 1 map case drawer))
1,749 Photographic prints
1,035 lantern slides
1579 negatives (photographic)
80 Film reels (16mm)
Collection ID:
NMAI.AC.003
Repository:
National Museum of the American Indian

The Leuman Maurice Waugh collection contains papers, photographs, and film holdings that were created by Waugh during his dental research expeditions to indigenous communities in Newfoundland and Labrador in eastern Canada and in Arctic Alaska.

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Creators:
Ciarrocchi, Ray, 1933-
Dates:
1953-2010
Size:
0.9 Linear feet
Collection ID:
AAA.ciarraym
Repository:
Archives of American Art

The Raymond Ciarrocchi papers measure 0.9 linear feet and date from 1953-2010. Correspondence and business records document Ciarrocchi's traveling exhibition, "The Nijinsky Series," and his relationships with Tibor de Nagy Gallery and Fischbach Gallery. Also found are four sketchbooks, a thesis about American landscape painting in which Ciarrocchi figures prominently, printed material, and photographs of Ciarrocchi.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 16-September 6, 1976
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1976
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution, Smithsonian Business Ventures, Product Development and Licensing
Dates:
1971-2005
Size:
42 cu. ft. (42 record storage boxes)
Collection ID:
Accession 07-001
Repository:
Smithsonian Institution Archives

This accession consists of records which document the processes of Product Development and Licensing at Smithsonian Business Ventures. The unit's primary function is to generate revenue for the Institution through the licensing and development of products related to collections within the Smithsonian museums. Some of these products include ...

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Creators:
Northern States Power Company
Hooks, Benjamin, Dr.
Xcel Energy
Reddy Communications, Inc.
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Dates:
1926-1999
Size:
30 Cubic feet (119 boxes )
Collection ID:
NMAH.AC.0913
Repository:
Archives Center, National Museum of American History

The records document the development and use of Reddy Kilowatt, a cartoon figure trademark created in 1926 by Ashton B. Collins, Sr. More than 150 investor-owned electric utilities in the United States and at least twelve foreign countries licensed the use of the Reddy Kilowatt trademark. The records include a wide range of textual and visual materials and sound and moving image recordings.

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Creators:
Martin and Morris Music Company
Morris, Necey, Mrs.
Martin, Sallie
Morris, Kenneth, 1917-
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Dates:
circa 1930-1985
Size:
8.7 Boxes (27 boxes)
Collection ID:
NMAH.AC.0492
Repository:
Archives Center, National Museum of American History

Scope and Content Note The Martin and Morris Company Records date from ca. 1930 to 1985 and document a neglected part of the American music historical record. The collection is particularly important because of the company's contributions to the field of Gospel music. According to Horace Boyer (in We'll Understand It Better....), Martin and Morris...

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