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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Yatsuhashi Harumichi Family
Dates:
1907-1976
Size:
9 Linear feet
Collection ID:
FSA.A1994.02
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Yatsuhashi Harumichi Family Papers (1906-1976) document the professional and personal lives of a Japanese-American family in Boston during the twentieth century. The patriarch, Yatsuhashi Harumichi (1886-1982), was an influential Asian art dealer and the papers also document the professional experiences of Asian art dealers in the United States during the early and mid 20th century. Mr. Yatsuhashi worked at the antiquities firm of Yamanaka & Company before starting his own Asian antiquities shop in 1945. Included in the papers, portions in Japanese, are correspondence; catalogues relating to the Alien Property Custodian's 1944 liquidation of Yamanaka & Company's New York branch's holdings; photographs depicting art objects and shop interiors, the Yatsuhashi family, Yamanaka & Company, and extended family, friends, and colleagues; and items belonging to Mr. Yatsuhashi's wife, Shigeki, and some of their children.

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Dates:
1990
Size:
4 videotapes (Reference copies). 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9543
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1989-1990
Size:
12 videotapes (Reference copies). 14 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9552
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1989-1990
Size:
5 videotapes (Reference copies). 22 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9549
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1989
Size:
6 videotapes and 1 audiotape (Reference copies). 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9551
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
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Dates:
1951-1994, undated
Size:
57 Boxes
Collection ID:
NMAH.AC.0618.S09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907 to 1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 9 includes the administrative, financial, sales, personnel, and office files of Custom Craft. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Blake, Doris Holmes, 1892-1978
Dates:
1899-1985
Size:
18.5 cu. ft. (37 document boxes)
Collection ID:
Record Unit 7310
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

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Creators:
Browning, Bil
Davis, Jerame
Davis, Jerame Joe, 1975-
Browning, William Dale, 1972-
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Dates:
1972-2015, undated
Size:
3.15 Cubic feet (13 boxes)
Collection ID:
NMAH.AC.1334
Repository:
Archives Center, National Museum of American History

Bil Browning and his husband, Jerame Davis were activists for LGBT issues, locally in Indiana as well as nationally in Washington, D.C.

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Creators:
Nelson, George L.
Dates:
1920-1925
Size:
0.2 Linear feet
Collection ID:
NMAI.AC.018
Repository:
National Museum of the American Indian

The George L. Nelson papers consist of documents belonging to Chief Nelson and left in the posession of his daughter Waneta Swain. The bulk of these documents relate to the work done by Chief Nelson in establishing the Rappahannock Indian Association in 1922 and the activities that led to the recognition of the tribe as part of the larger Virginia Indians Powhatan Confederacy. Chief George L. Nelson was born and raised in Indian Neck, VA.

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