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Creators:
Anthony, William, 1934-
Dates:
1956-2003
Size:
1.5 Linear feet
Collection ID:
AAA.anthwill
Repository:
Archives of American Art

The papers of contemporary painter and author William Anthony measure 1.5 linear feet and date from 1956 to 2003. Found within the papers are scattered biographical materials; correspondence files; exhibition files; original art work; files of reproductions of his art work; a file for his book A New Approach to Figure Drawing; clippings; photographs; a recorded lecture and announcements of Anthony's slide talks.

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Creators:
Hirshhorn, Joseph H.
Dates:
circa 1926-1982 and undated
Size:
29.78 cu. ft. (27 record storage boxes) (1 document box) (3 16x20 boxes) (3 oversize folders)
Collection ID:
Record Unit 7449
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Kuniyoshi, Yasuo, 1889-1953
Dates:
1906-2013
Size:
11.8 Linear Feet
Collection ID:
AAA.kuniyasu
Repository:
Archives of American Art

The papers of artist Yasuo Kuniyoshi measure 11.8 linear feet and date from 1906-2013. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings by Kuniyoshi and others; subject files primarily on his participation in various organizations and business dealings with American and Japanese galleries, museums, and dealers; exhibition catalogs and other printed material; photographs of Kuniyoshi and others; and artwork; exhibition and artwork records; and four scrapbooks. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

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Creators:
Franz Bader Gallery
Dates:
1952-1992
Size:
1.9 Linear Feet
Collection ID:
AAA.franbade
Repository:
Archives of American Art

The Franz Bader Gallery Scrapbooks and Guestbooks measure 1.9 linear feet and date from 1952 to 1992. The materials document the gallery's history in Washington D.C., the artists represented by the gallery, and the exhibitions held at the space. Included in the collection are gallery documentation consisting of biographical material about Franz Bader, correspondence relating to Bader and the gallery, printed material regarding exhibitions, photographs of the gallery space, and candid photographs from exhibition openings. The bulk of the collection is made up of gallery guestbooks which hold signatures and notes from gallery patrons, and scrapbooks including printed material related to Franz Bader Gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events.

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Creators:
Barbara Mathes Gallery (New York, N.Y.)
Dates:
1989-1995
Size:
1.4 Linear feet
Collection ID:
AAA.barbmatg
Repository:
Archives of American Art

The Barbara Mathes Gallery records pertaining to Rio Nero lawsuit measure 1.4 linear feet and date from 1989-1995. The records, assembled by Barbara Mathes, relate to the lawsuit Greenberg Gallery, Inc., et al. v. Patricia Bauman, et al. and the authenticity of the Alexander Calder mobile Rio Nero. The files contain correspondence, purchase and shipping records, and legal documents. The collection also includes printed material and photographs of the mobile.

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Creators:
United States National Museum
Dates:
1877-1975
Size:
87.4 linear meters.
Collection ID:
Record Unit 192
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Poindexter Gallery
Dates:
1931-1985
bulk 1955-1978
Size:
7.1 Linear feet
Collection ID:
AAA.poingall
Repository:
Archives of American Art

The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Dionisio, Humberto, 1950-1987
Dates:
1919-1990
Size:
2.7 Linear feet
Collection ID:
AAA.dionhumb
Repository:
Archives of American Art

The papers of painter Humberto Dionisio measure 2.7 linear feet and date from 1919 to 1990. The collection primarily documents Dionisio's relationships with his family, particularly his mother, through letters, photographs, financial records, printed material, and family memorabilia collected by Dionisio himself and by his mother, Zaida Ortega Dominguez.

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Creators:
Mangravite, Peppino, 1896-
Dates:
1918-1982
Size:
6.2 Linear feet
Collection ID:
AAA.mangpepp
Repository:
Archives of American Art

The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, recorded interviews with significant artists and transcripts, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.

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