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Creators:
Scarpitta, Salvatore, 1919-2007
Dates:
1934-2011
Size:
3.1 Linear feet
Collection ID:
AAA.scarsalv
Repository:
Archives of American Art

The papers of sculptor, painter, and race car driver Salvatore Scarpitta measure 3.1 linear feet and date from 1934 to 2012. The papers include personal and professional letters from friends and galleries, exhibition and loan files, legal records pertaining to Scarpitta's estate, financial records, a scrapbook, photographs, printed material, and video recordings.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1800-1965
bulk 1830-1930
Size:
4.56 Cubic feet (consisting of 10 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Instruments
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Instruments forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Rockwell, David Hadley
Dates:
1980-2004, undated
Size:
3.2 Cubic feet (11 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1342
Repository:
Archives Center, National Museum of American History

An extensive collection of advertisements, club cards, ephemera, and invitations publicizing venues and events at entertainment clubs and venues in New York City, New York, New Jersey, and Florida. The materials make use of a variety of graphic arts styles.

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Creators:
National Museum of American Art. Department of Twentieth Century Painting and Sculpture
Dates:
circa 1961-1980
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 458
Repository:
Smithsonian Institution Archives

These records document the work of the Department and its curators in the late 1960s and in the 1970s, with some material dated as early as 1961. The files include correspondence concerning proposed and rejected works of art, some administrative actions, and the Department's relationship with other museums. The majority of the records con...

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Creators:
Bluemner, Oscar, 1867-1938
Dates:
1886-1939, 1960
Size:
6.9 Linear feet
Collection ID:
AAA.blueosca
Repository:
Archives of American Art

The papers of painter Oscar Bluemner date from 1886 to 1939, with one item from 1960, and measure 6.9 linear feet. The collection documents Bluemner's career through scattered biographical material and personal and professional correspondence. Almost one-half of the collection consists of Bluemner's extensive writings and notes about his artwork, painting techniques, and art theory in the form of diaries, notebooks, lists, essays, and notes - many of which are also illustrated. Also found are annotated books, exhibition catalogs, newsclippings, artwork and sketches by Bluemner, and photographs of Bluemner's artwork and of architecture. Bluemner's work in architecture is documented to a lesser degree through scattered licenses, photographs, and design drawings.

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Creators:
Schoener, Allon
Dates:
1966-2007
Size:
3 Linear feet
0.371 Gigabytes
Collection ID:
AAA.schoallo
Repository:
Archives of American Art

The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

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Creators:
Blum, Jerome, 1884-1956
Dates:
1915-circa 1969
bulk 1919-1935
Size:
3 Linear feet
Collection ID:
AAA.blumjero
Repository:
Archives of American Art

The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 consists of almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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