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Creators:
Stewart, T. D,(Thomas Dale),1901- interviewee
Dates:
1975, 1986
Size:
14 audiotapes (reference tapes). 27 digital .mp3 files (reference copies).
Collection ID:
Record Unit 9521
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Dates:
1987
Size:
files (Reference copies).
Collection ID:
Record Unit 9533
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Bachelet, Emile, 1863-1946
Bachelet, Albert E.
Dates:
1890 - 1973
Size:
0.3 Cubic feet (3 boxes)
Collection ID:
NMAH.AC.0302
Repository:
Archives Center, National Museum of American History

The collection documents Emile Bachelet, inventor of electro-magnetic therapeutic devices for the treatment of rheumatism.

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Creators:
Brumit, Patricia.
Bowen, Emanuel, d. 1767
Brumit, Joseph L., CDR.
Boyadjian, Torkom, 1920-1987
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Dates:
1794
1964 - 1971
Size:
3 photographic prints (8 x 10 inches.)
1 map (framed , 25.5 x 21.5 inches.)
Collection ID:
EEPA.2004-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection contains one framed map of Abyssinia circa 1784, measuring 25.5 x 21.5 inches, by cartographer and engraver Emanuel Bowen, and three 8 x 10 inch photographs depicting Ethiopian artist Afewerk Tekle (1971), Patriarch 'Abuna Tewoflos (1964) and Emperor Haile Selassie I (1967) respectively. Each photograph bears the signature of its subject. The photograph of 'Abuna Tewoflos was taken by Selassie's court photographer, Torkam "Tony" Boyadjian. Selassie's portrait is an official presentation photograph, with a green leather frame adorned with the emperor's coat of arms in gold, signed and dated by Selassie.

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Creators:
Engle, Corliss Knapp
Dates:
1969-2001
Size:
1.5 Cubic feet
Collection ID:
AAG.CKE
Repository:
Archives of American Gardens

The Corliss Knapp Engle slide collection contains 35mm slides of gardens, garden features, flower shows, and flora photographed by Corliss Engle, a self-taught photographer and horticulturalist. Much of the collection is comprised of photographic documentation of numerous private and public gardens that she visited throughout the United States. Of particular note are images of Engle's own garden in Brookline, Massachusetts, spanning three decades; they provide excellent insight into the development and evolution of a garden over time. Portions of the collection highlight Engle's involvement with the Garden Club of America and the GCA's Garden History and Design Committee. The collection also includes various notes, lecture scripts, brochures, programs and articles on garden and plant-related themes generated or compiled by Corliss Knapp Engle.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1974-1983
Size:
10.14 cu. ft. (11 document boxes) (8 tall document boxes)
Collection ID:
Record Unit 588
Repository:
Smithsonian Institution Archives

This record unit consists of master audio tapes for Radio Smithsonian programs 482-533, 1979, and Smithsonian Galaxy editions 26-76, 1979-1981; and audio tapes of Smithsonian special events, concerts, lectures, interviews, symposia, and openings, 1974-1983.

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Creators:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Bay State Gas Company.
Work and Industry, Division of, NMAH, SI
Dates:
1858-1929
Size:
0.75 Cubic feet (3 boxes)
Collection ID:
NMAH.AC.1049
Repository:
Archives Center, National Museum of American History

The papers document an investigation by M.L. Webb, an attorney from Massachusetts, into possible trust violations by the coal and gas industry of New England, New Jersey, and Delaware in the late nineteenth century. Documents assembled by Webb include patents, stock records, photographs, correspondence, hand written notes, published materials, and investigation notebooks.

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Creators:
Smithson, Robert
Dates:
1905-1987
bulk 1952-1987
Size:
15.1 Linear feet
Collection ID:
AAA.smitrobe
Repository:
Archives of American Art

The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 15.1 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's motion picture film Pine Barrens and her seminal environmental work of art Sun Tunnels, including a video documentary about Sun Tunnels.

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Creators:
Morrison, Joan, -2010
Morrison, Robert K.
Beirne, Barbara T.
Dates:
1985 - 1987
Size:
6 Cubic feet (20 boxes )
Collection ID:
NMAH.AC.0359
Repository:
Archives Center, National Museum of American History

The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.

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Creators:
Gimpel, René
Dates:
circa 1890-1966
bulk 1902-1930s
Size:
0.4 Linear feet
Collection ID:
AAA.gimprene
Repository:
Archives of American Art

The papers of Parisian art dealer, René Gimpel (1881-1945), dating from circa 1890-1966 (bulk 1902-1930s), and measuring 0.4 linear feet, provide a small but significant window into the crucial relationship between American collectors and the art dealers who supplied them, as they amassed some of the most influential art collections of the first half of the twentieth century. Gimpel's work as an art dealer is documented through correspondence with his parents, clients, business associates, and collectors, including Helen Frick and Duveen Brothers, Blake-More Godwin and the Toledo Museum of Art, Florence Libbey, Samuel H. Kress, Silva White, and others, and through printed material, writings by Gimpel, and photographs of René and Ernest Gimpel and others.

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