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Creators:
Henri Gallery (Washington, D.C.)
Dates:
circa early 1900s
1940-1996
bulk 1957-1995
Size:
55.4 Linear feet
Collection ID:
AAA.henrgall
Repository:
Archives of American Art

The records of Henri Gallery, a Washington, D.C. gallery that showed painters from the Washington Color School and emerging artists, measure 55.4 linear feet and date from circa early 1900s, 1940 to 1996, with the bulk of the materials dating from 1957 to 1995. The gallery's relationship with artists and clients, exhibitions, sales, and other business is documented in alphabetical files containing a wide variety of materials, including correspondence, sales records, printed materials, photographs, slides, and motion picture film. Additional correspondence, newspaper clippings, 114 exhibition posters, scattered drawings, illustrated cards, and photographic materials are also found in the collection.

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Thompson, Bob, 1937-1966
Dates:
1949-2005
Size:
2 Linear feet
Collection ID:
AAA.thombob
Repository:
Archives of American Art

The papers of New York African American figurative painter Bob Thompson measure 2 linear feet and date from 1949 to 2005. The collection includes biographical material, videocassettes, correspondence, writings by Bob Thompson and others, exhibition files, scattered personal business records, printed material, photographs, and photograph albums. The correspondence is mostly between Carol Thompson, the artist's wife, and others concerning Bob Thompson's artwork.

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Creators:
Goldthwaite, Anne, 1869-1944
Dates:
1910-1950
Size:
0.3 Linear feet
Collection ID:
AAA.goldanne
Repository:
Archives of American Art

The papers of painter Anne Goldthwaite measure 0.3 linear feet and date from 1910 to 1950. Found within the papers are memoirs of Goldthwaite and her grandmother; clippings and exhibition catalogs; and photographs of Goldthwaite, her family and friends, and her work.

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Creators:
Smith, Hassel, 1915-2007
Dates:
circa 1900-2004
bulk 1930-1995
Size:
4 Linear feet
Collection ID:
AAA.smithass
Repository:
Archives of American Art

The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
San Francisco Women Artists
Dates:
1925-1999
Size:
15.5 Linear feet
Collection ID:
AAA.sanfrawa
Repository:
Archives of American Art

The San Francisco Women Artists records measure 15.5 linear feet, date from 1925 to 1999, and include administrative records, correspondence, membership files, exhibition files, inventory records, printed material, twenty scrapbooks, photographs, eight photograph albums, and two motion picture film reels.

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Dates:
1940-1997
bulk 1980-1981
Size:
1.4 Linear feet
Collection ID:
AAA.gedeluci
Repository:
Archives of American Art

The Lucinda H. Gedeon research materials on Charles W. White measure 1.4 linear feet and date from 1940 to 1997, with the bulk of the materials dating from 1980 to 1981. This research material was compiled for a catalogue raisonné at UCLA and includes correspondence with collectors and institutions; a card file catalogue of works by Charles White; photographs and negatives; printed material; transcripts of interviews; bibliographic information; and writings.

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Creators:
Presser, Josef, 1906-1967
Dates:
1913-1980
Size:
4.3 Linear feet
Collection ID:
AAA.presjose
Repository:
Archives of American Art

The papers of New York painters and teachers Josef Presser and Presser's wife Agnes Hart measure 4.3 linear feet and date from 1913 to 1980, with the bulk of the material from 1940 to 1980. The collection documents their personal and professional lives as artists and educators and consists of biographical material, business and personal correspondence, teaching files, printed material, and scattered photographs. The collection also includes writings, personal business records, and artwork by Presser.

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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Dates:
circa 1934-1986
Size:
2.5 Linear feet
Collection ID:
AAA.breeadel
Repository:
Archives of American Art

The papers of Baltimore, Maryland, and Washington D.C. art historian and museum curator Adelyn Dohme Breeskin, measure 2.5 linear feet and date from circa 1934-1986. The papers provide scattered documentation of Breeskin's career, focusing on writings and lectures delivered in the United States and abroad, and briefly documenting her work as an art exhibition juror, as a consultant, and as a teacher of a community art course. The collection also includes papers documenting some of Breeskin's research on Loren MacIver, Mary Cassatt, and others, and is comprised of biographical material, personal and professional correspondence with artists, friends, and colleagues, manuscript and lecture notes and drafts, professional files, sound recordings, and a few photographs.

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