Query: John Reed Club
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number
Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of …

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in NMAH.AC.0618.S04.02 for John Reed Club
Jimmy Ernst papers
Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
0.001 Gigabytes
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and 0.001 GB and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed and digital material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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in AAA.ernsjimm for John Reed Club
Records
Dates:
1851-1982 and undated
Size:
58.76 cu. ft. (39 record storage boxes) (9 document boxes) (26 tall document boxes) (9 microfilm reels)
Collection ID:
Record Unit 73
Repository:
Smithsonian Institution Archives

The Archives would like to thank the staff of the Division of Mollusks for their cooperation in transferring the records to the Archives. We especially appreciate the help of Clyde Roper, Richard Houbrick, and Michael Sweeney.

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in Record Unit 73 for John Reed Club
Warren M. Robbins Papers
Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul …

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in Accession 11-001 for John Reed Club
Tape Recordings
Creators:
Smithsonian Institution
Dates:
1958-1992
Size:
17.16 cu. ft. (32 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian Institution events or by Smithsonian Institution staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin …

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in Record Unit 106 for John Reed Club
Records
Creators:
Smithsonian Resident Associate Program
Dates:
1985-1990
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 92-069
Repository:
Smithsonian Institution Archives

This accession consists of administrative records from the Smithsonian Resident Associate Program (RAP). Materials include correspondence, memoranda, brochures, clippings, and images.

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in Accession 92-069 for John Reed Club
Central Administrative File, Records
Dates:
1908-1974
Size:
59 cu. ft. (1 record storage box) (116 document boxes)
Collection ID:
Record Unit 313
Repository:
Smithsonian Institution Archives

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithsonian Art Commission and National Collection …

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in Record Unit 313 for John Reed Club
Curatorial Records
Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; biographical information on, and …

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in Record Unit 469 for John Reed Club
Benjamin March Papers
Creators:
March, Benjamin, 1899-1934
Dates:
1923-1934
Size:
15 Linear feet
Collection ID:
FSA.A1995.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

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in FSA.A1995.10 for John Reed Club
Scurlock Studio Records, Subseries 4.11: Customcraft Negatives
Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More …
Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.11 for John Reed Club
176 records — Page 14 of 18