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- Creators:
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Carter, Benny, 1907-1997
- Dates:
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1928-2000
- Size:
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67.5 Cubic feet (182 boxes, 3 oversize folders)
- Collection ID:
- NMAH.AC.0757
- Repository:
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Archives Center, National Museum of American History
The majority of the material in the Benny Carter Collection is dated from the late 1920s through the later half of the 1990s. Donated to the Smithsonian Institution in December, 2000, the bulk of the collection is comprised of original music manuscripts (full scores and parts), band books, and published sheet music from Benny Carter's prolific care...
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Shahn, Ben, 1898-1969
- Dates:
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1879-1990
bulk 1933-1970
- Size:
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25 Linear feet
- Collection ID:
- AAA.shahben
- Repository:
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Archives of American Art
The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 25.0 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 23-July 4, 2004
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2004
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Arthur, James (James Osborne)
- Dates:
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1913-1928
bulk 1914-1919
- Size:
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699 nitrate negatives (3 1/4 x 5 1/2 or smaller)
0.25 Linear feet (envelopes)
2 gelatin silver prints
- Collection ID:
- NMAI.AC.057
- Repository:
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National Museum of the American Indian
This collection of photographs, shot by Reverend James O. Arthur while serving as a missionary for the Reformed Church of America, documents the activities on the Winnebago Reservation in Nebraska in 1913 as well as Mescalero and Chirichua Reservation in White Tail, New Mexico from 1914-1919. Additional images depict vacations and travels throughout the United States by the Arthur family and friends between the years 1913-1928.
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- Creators:
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Thread Waxing Space (Gallery)
- Dates:
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1980s-2001
bulk 1991-2001
- Size:
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36.7 Linear feet
3.86 Gigabytes
- Collection ID:
- AAA.threwaxs
- Repository:
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Archives of American Art
The records of the New York City gallery Thread Waxing Space measure 36.7 linear feet and 3.86 GB and date from 1980s-2001 (bulk 1991-2001). Exhibitions and events held at the gallery are documented through correspondence, artists' bios, printed and digital materials, shipping records, photographic materials, audiovisual materials, and other administrative records. Also found are a handful of artist research files, clippings, and press books.
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- Creators:
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United States National Museum. Division of Grasses
- Dates:
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1884, 1888, 1899-1965
- Size:
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13.84 cu. ft. (8 record storage boxes) (1 half document box) (13 12x17 boxes)
- Collection ID:
- Record Unit 229
- Repository:
-
Smithsonian Institution Archives
These papers document the history of the agrostology section of the Bureau of Plant Industry, United States Department of Agriculture (1901-1939), and the Section of Grasses, United States National Herbarium, United States National Museum (1912-1963) at the time Albert Spear Hitchcock and Mary Agnes Chase worked for the USDA and the USNH, ...
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- Creators:
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Hirshhorn Museum and Sculpture Garden. Office of the Deputy Director
- Dates:
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1974-1995
- Size:
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35 cu. ft. (35 record storage boxes)
- Collection ID:
- Accession 96-084
- Repository:
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Smithsonian Institution Archives
These records were created between 1974 and 1995 by Stephen E. Weil during his tenure as Deputy Director, Hirshhorn Museum and Sculpture Garden (HMSG). The records consist of correspondence with other international and national museums and art institutions; correspondence concerning policies and legal questions raised by the public and ot...
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- Creators:
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Smithsonian Resident Associate Program, Office of Public Affairs
- Dates:
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1974-1991
- Size:
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11.9 linear meters.
- Collection ID:
- Record Unit 632
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
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- Creators:
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Wagstaff, Samuel J.
- Dates:
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circa 1932-1985
- Size:
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6.4 Linear feet
- Collection ID:
- AAA.wagssamu
- Repository:
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Archives of American Art
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.