425 records — Page 14 of 43
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Creators:
Richards, William Trost, 1833-1905
Dates:
1848-1920
Size:
1.8 Linear feet
Collection ID:
AAA.richwill
Repository:
Archives of American Art

The William Trost Richards papers measure 1.8 linear feet and date from 1848-1920. The collection documents Richards' personal life and his career as a landscape and seascape painter. The collection consists of correspondence, writings, business files, printed material, photographs, and other miscellaneous materials.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
Baekeland, L. H. (Leo Hendrik), 1863-1944
Dates:
1976
1863 - 1968
Size:
15 Cubic feet (49 boxes)
Collection ID:
NMAH.AC.0005
Repository:
Archives Center, National Museum of American History

The papers document Leo H. Baekeland, a Belgian born chemist who invented Velox photographic paper (1893) and Bakelite (1907), an inexpensive, nonflammable, versatile plastic. The papers include student notebooks; private laboratory notebooks and journals; commercial laboratory notes; diaries; patents; technical papers; biographies; newspaper clippings; maps; graphs; blueprints; account books; batch books; formula books; order books; photographs; and correspondence regarding Baekeland, 1887-1943.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1743-1948
circa 1743-1950
Size:
2.86 Cubic feet (consisting of 6 boxes, 3 folders, 5 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Churches
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Churches forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
General Electric Company
Gotti, Mary Beth
Information, Technology and Society, Div. of (NMAH, SI).
Dates:
circa 1890s-1969
Size:
5 Cubic feet (22 boxes)
Collection ID:
NMAH.AC.0789
Repository:
Archives Center, National Museum of American History

The collection documents the technology of lighting and various business aspects of the General Electric Lighting Division throughout the 20th century and consists of correspondence, bulletins, price lists, business record books, stock certificates, sales and advertising materials, scrapbooks, photographs, and lantern slides.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1787-1964
Size:
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Women
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Rosin, Henry D., Dr.
Lyman, Benjamin Smith, 1835-1920
Ueno, Hikoma, 1838-1904
Beato, Felice, b. ca. 1825
More …
Dates:
1860 - ca. 1900
Size:
616 Items (approximate count)
Collection ID:
FSA.A1999.35
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s...

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Creators:
National Portrait Gallery. Department of Exhibitions and Collections Management
Dates:
1979-1983, 1988, 2008
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 09-066
Repository:
Smithsonian Institution Archives

This accession consists of records which document the various aspects of exhibition development, planning, design and publicity for the exhibition, Champions of American Sport. This was the first major art exhibit devoted to outstanding American sports personalities and to the aesthetic qualities of sport and human movement. It consisted ...

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to The Dye is Now Cast: The Road to American Independence, an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
Muller, Robert O., 1911-2003
Dates:
1930-1997
Size:
7.5 Linear feet
Collection ID:
FSA.A2003.14
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.

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425 records — Page 14 of 43