Query: Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
National Congress of American Indians records
Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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in NMAI.AC.010 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Thomas Warren Sears photograph collection
Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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in AAG.SRS for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Hazen Collection of Band Photographs and Ephemera
Creators:
Hazen, Margaret Hindle
Hazen, Robert M.
Dates:
circa 1818-1931
Size:
13.5 Cubic feet (20 boxes)
Collection ID:
NMAH.AC.0253
Repository:
Archives Center, National Museum of American History

Large collection of photographs, picture postcards, printed ephemera, and music related to the brass band movement in the United States: includes 8 ambrotypes, 36 tintypes, 59 stereographs, 66 cabinet prints, 90 cartes-de-visite, 150 large photoprints, and 874 picture postcards; also posters, concert programs, instrument manufacturers' advertisemements and ephemera, periodicals, sheet music, etc.

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in NMAH.AC.0253 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Fairchild Industries, Inc. collection
Creators:
Fairchild Aircraft Corp
Dates:
1919-1980
Size:
277.95 Cubic feet (255 records center boxes)
Collection ID:
NASM.1989.0060
Repository:
National Air and Space Museum Archives

This collection consists of historical files on FI, its predecessors, and subsidiaries. The material consists primarily of historical/public relations material, including photographs and brochures, but also includes significant amounts of business records for FEAC, Kreider-Reisner, Hiller, Republic, Ranger, Stratos, and Swearingen. The collection also documents Fairchild's joint ventures with Fokker, Pilatus, and other aircraft manufacturers. The material also includes an extensive negative collection as well as film and videotape libraries.

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in NASM.1989.0060 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Terence Turner papers
Creators:
Turner, Terence
Dates:
1938-1942
1952-2015
bulk 1964-2008
Size:
56.6 Linear feet (100 document boxes, 4 half-document boxes, 21 shoe boxes, 1 oversize box, and 10 map folders)
86 Sound cassettes
72 Sound tape reels (5")
21 Sound tape reels (3")
4 Sound cassettes (microcassette)
3 Sound tape reels (7")
157 Videocassettes (VHS)
48 Videocassettes (MiniDV)
11 Videodiscs (DVD)
10 Videocassettes (U-matic)
6 Electronic discs (DVD)
2 Film reels (Approximately 3200 feet)
1 Videocassettes (VHS-C)
1 Videocassettes (Hi8)
1 Videocassettes (Video 8)
Collection ID:
NAA.2020-03
Repository:
National Anthropological Archives

Terence "Terry" Sheldon Turner (1935-2015) was best known for his ethnographic work among the Mebêngôkre (Kayapó) people of the Amazon rainforest and his work as an activist for the Mebêngôkre and other communities. This collection documents his interest in the Mebêngôkre and his work as a human rights activist. It includes field notes, censuses, papers, notes, correspondence, news clippings, sound recordings, films, photographs, charts and diagrams, genealogy and kinship information, and computer discs.

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in NAA.2020-03 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Smithsonian Memories Project, Festival of American Folklife Oral History Interviews
Dates:
1996
Size:
160 audiotapes (Originals). audiotapes (Reference copies).
Collection ID:
Record Unit 9594
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program …

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in Record Unit 9594 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Richard Marchand historical postcard collection (35mm slides)
Creators:
Marchand, Richard
Dates:
circa 1900-1970
bulk 1910-1940
Size:
0.5 Cubic feet (1,200 slides, 35mm)
Collection ID:
AAG.MAR
Repository:
Archives of American Gardens

The Richard Marchand Historical Postcard Collection contains approximately 1,200 35mm slide reproductions of postcard images depicting early twentieth century architectural and garden views of over 600 private estates throughout the United States. The collection includes views of estates owned by popular movie stars of the 1920s and 1930s, including Charlie Chaplin, Mary Pickford, Douglas Fairbanks, Claudette Colbert and Buster Keaton.

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in AAG.MAR for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
Matanuska-Susitna School District educational film collection
Dates:
1922-1980
Size:
Film reels (16mm)
Collection ID:
HSFA.2003.05
Repository:
Human Studies Film Archives

127 educational film titles all relating to the American Indian experience being discarded by Matanuska-Susitna School District A/V center. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents …

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in HSFA.2003.05 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
George V. Allen photograph collection of photographs of Native Americans and the American frontier
Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave …

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in NAA.PhotoLot.90-1 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
John Peabody Harrington papers
Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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in NAA.1976-95 for Sharing Traditions: Five Black Artists in Nineteenth Centuty America (Exhibition) (1985: Washington, D.C.)
149 records — Page 14 of 15