This accession consists of records that document the exhibition Ritmos de Identidad: Fernando Ortiz's Legacy and the Howard Family Collection of Percussion Instruments. Materials include correspondence; exhibition catalogue and brochure; object reports; visitor comments; newspaper clippings and articles; and exhibition graphics. Some materials are in electronic format.
Oral history interview with José and Malaquias Montoya
Montoya, Malaquias, 1938-
7 Cassettes (Sound recording, duplicate)
373 Pages (Transcript)
Interviews of brothers José and Malaquias Montoya conducted 1988 Feb. 28-June 2, by Eduardo Hernandez, for the Archives of American Art.
Oral history interview with Julia Santos Solomon
86 Pages (Transcript)
An interview with Julia Santos Solomon conducted 2021 March 9-April 15, by Fernanda Espinosa, at Santos Solomon's studio in Woodstock, New York.
Oral history interview with Carmen Lomas Garza
Karlstrom, Paul J.
122 Pages (Transcript)
An interview of Carmen Lomas Garza conducted 1997 Apr. 10-May 27, by Paul Karlstrom, for the Archives of American Art.
Oral history interview with Rafael Ferrer
157 Pages (Transcript)
An interview of Rafael Ferrer conducted 1990 Sept. 19, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Oral history interview with Luchita Hurtado
Winter, Amy H. (Amy Harriet)
Karlstrom, Paul J.
120 Pages (Transcript)
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
Oral history interview with Marisol
Roberts, Colette, 1910-
34 Pages (Transcript)
An interview of Marisol conducted 1968 Feb. 8, by Colette Roberts, for the Archives of American Art.
Luis Cancel papers
0.947 Gigabytes (ER01-ER04)
The papers of Puerto Rican arts administrator and artist Luis Cancel measure 10.1 linear feet and .947 gigabytes and date from circa 1900 to 1998 with the bulk of the material dating from 1970 to 1996. The collection is comprised of biographical material, professional files, arts administration records documenting his directorship at the Bronx Museum of the Arts and as Commissioner for the Department of Cultural Affairs in New York, subject and artist's files, files for the exhibition Legacy / Legado, printed materials, word processing documents, digital photographs, and unidentified sound recordings.
Octavio Medellin papers
The papers of Mexican born painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.
This accession consists of records that document planning for the exhibition Rhythms of Identity: Fernando Ortiz's Legacy and the Howard Family Collection of Percussion Instruments. Materials include correspondence; loan agreements; exhibition planning information; photographs and slides of exhibition installation, objects, and staff; articles pertaining to the exhibition; publicity and development …