These papers consist primarily of Ellis Leon Yochelson's correspondence, as Research Associate/Geologist with the United States Geological Survey. Much of the material documents his research on Charles D. Walcott, including copies of Walcott correspondence and biographical sketches.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Manufacturing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

This accession consists of records documenting the curatorial activities of Ann Clyburn Gunter, Assistant Curator of Ancient Near Eastern Art, 1987-1994; Associate Curator, 1994-2004; and Curator, 2004-2008. Curatorial activities documented in this accession include research, exhibition development, publishing, and collection management. ...

The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.

The papers of artist Dixie Selden measure 4.3 linear feet and date from 1837-1936 and 1993-2001. The collection documents the life, world travels, and professional career of the Impressionist painter from Cincinnati, Ohio, through biographical material, correspondence, writings, diaries, printed material, a scrapbook, photographs, artwork, sketchbooks, and artifacts.

The papers of illustrator and painter Barbara Latham date from circa 1900 to 1972 and measure 3.4 linear feet. The collection documents Latham's career through biographical material, correspondence, writings and notes, printed material, photographs, and artwork. Artwork includes sketches and original Christmas cards, six sketchbooks, pencil and pen sketches, and prints. Works by others include four oil paintings by Henry Leigh-Ross and drawings by Howard Cook.

The collection consists primarily of advertising and promotional materials for products sold by the Fournet Drugstore. In addition, there are photographs of the African American community in St. Martinville, Louisiana.

The records of Provincetown, Massachusetts art gallery Tirca Karlis Gallery measure 4.7 linear feet and date from circa 1920 to 1980. The collection comprises Tirca Karlis's personal papers documenting her dance career, her death, and including photos of family and friends; correspondence with galleries, museums, clients, and artists; artist's files consisting mostly of printed material on George Grosz, David Burliuk, Hugo Robus, Milton Avery, Robert Goodnough, and others; administrative and business records detailing the gallery's activities through sales and inventory records, receipts and invoices, guestbooks, tax ledgers, and consignment records; and printed materials such as exhibition announcements and catalogs for the Tirca Karlis Gallery and other galleries, clippings, press releases, and exhibition schedules.

The papers of painter, illustrator, and curator Edith Emerson measure 2.1 linear feet and date from 1839 to 1981, with the bulk of the material dating from 1894-1971. Found within the papers are biographical material; letters from friends and colleagues; writings and notes by Emerson and others; artwork, including three sketchbooks; subject files; photographs of Emerson, family, friends, and artwork; and scattered printed material.

The papers of art historian and gallery director Herman J. Wechsler measure 2.0 linear feet and date from 1913-1976. The collection primarily documents Wechsler's art historical publications and to a lesser extent the activities of F.A.R. Gallery. Records include business and personal correspondence, drafts of published and unpublished writings, personal business records, printed material, loose scrapbook pages, and photographs of Wechsler and his family.