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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1967-1986
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Record Unit 629
Repository:
Smithsonian Institution Archives

These records document OMP's efforts to promote knowledge of museology and its techniques. Many of the records deal with daily operations of the office. Other records are concerned with cooperative work with international and national museum organizations, as well as topics like museum registration, conservation, public relations security, ...

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Dates:
1872–1878
Size:
58 Reels
Collection ID:
NMAAHC.FB.M2029
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 58 rolls of microfilm described in NARA publication M2029. These digital surrogates reproduced the field office records of the Freedmen's Branch in the Office of the Adjutant General, 1872–1878. These records consist of bound volumes and unbound records, including letters sent, letters received, registers of letters received, and registers of claims.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Museum of African American History and Culture (U.S.)
Dates:
1940 - Ongoing
Size:
825 Digital files
Collection ID:
NMAAHC.SC.0001
Repository:
National Museum of African American History and Culture

The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.

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Creators:
Walker, Egbert H. (Egbert Hamilton), 1899-1991
Dates:
1938-1961
Size:
8.08 cu. ft. (14 document boxes) (3 5x8 boxes)
Collection ID:
Record Unit 7270
Repository:
Smithsonian Institution Archives

The papers of Egbert Hamilton Walker were transferred to the Smithsonian Archives from the Hunt Institute in Pittsburgh, Pennsylvania in 1977. Subsequently, two additional transfers of papers were gifted by Egbert Walker in 1978 and 1979. In 1995, Walker's autobiographical notes were transferred from the Department of Botany, National Museum ...

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Dates:
1865–1870
Size:
20,421 digital files
Collection ID:
NMAAHC.FB.M1902
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 21 rolls of microfilm described in NARA publication M1902. These digital surrogates reproduced the records of the District of Columbia field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870. Some pre-Bureau records dated 1863 and 1864 are included. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of marriages, and employment registers.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-4, 1967
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1967
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
1990
Size:
13 videotapes (Reference copies). 39 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9553
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Smithsonian Institution. Assistant Secretary for Research
Dates:
1980-1987
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 88-156
Repository:
Smithsonian Institution Archives

This accession consists of reports, five-year plans, researches, and development plans of the bureaus under the Office of the Assistant Secretary for Research. Also included are photographs of the Fred C. Whipple Observatory, architectural plans for Smithsonian Tropical Research Institute, and books on butterflies and fishes.

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Creators:
Biddle, Livingston, 1918-2002
Dates:
circa 1940-2002
Size:
40.2 Linear feet
Collection ID:
AAA.biddlivi
Repository:
Archives of American Art

The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.

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