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Creators:
Forbes, Anne, 1919-
United States. Indian Arts and Crafts Board
Dates:
1948-1977
Size:
472 Photographic prints
1 Linear foot
Collection ID:
NMAI.AC.060
Repository:
National Museum of the American Indian

The Anne Forbes collection includes documents and photographs pertaining to her research on Indian arts in the Southwest, United States conducted during 1948-1948 and revisited in 1958. The work culminated in the dissemination of a survey titled "Survey of American Indian Arts and Crafts, Southwest and Northern Plains." Forbes focused mostly on Pueblo paintings having developed personal relationships with several Pueblo painters including Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo).

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Creators:
Ride, Sally, 1951-2012
Dates:
1970-2012
Size:
24 Cubic feet (63 boxes)
Collection ID:
NASM.2014.0025
Repository:
National Air and Space Museum Archives

The Sally K. Ride Papers consists of over 23 cubic feet of papers, photographs, certificates, and film, created or collected by Sally Ride and chronicling her career from the 1970s through the 2010s. The papers document Ride's lifetime of achievements and include material relating to her astronaut training and duties; her contributions to space policy; her work as a physicist; and her work as an educator, including Sally Ride Science and related STEM projects.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Dates:
1864-1869
Size:
12 Reels
Collection ID:
NMAAHC.FB.M1026
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 12 rolls of microfilm described in NARA publication M1026. These digital surrogates reproduced the records of the Superintendent of Education for the State of Louisiana, Bureau of Refugees, Freedmen, and Abandoned Lands, 1864-69. The records consist of 18 bound volumes and nearly 2.4 meters (8 feet) of unbound documents. The bound volumes include letters, telegrams, and endorsements sent; registers of employees; accounts with freedmen schools; and other records. The unbound documents consist primarily of letters and telegrams sent and reports sent and received.

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1904-1991
Size:
35.9 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

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Creators:
Carriker, Melbourne Armstrong, 1879-1965
Dates:
1901, 1907, 1909-1910, 1918, 1929-1965
Size:
3.94 cu. ft. (2 record storage boxes) (1 document box) (4 5x8 boxes)
Collection ID:
Record Unit 7297
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 4-9, 1978
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1978
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Costume, Division of (NMAH, SI).
J.B. Simpson, Inc.
Steen, Enoch
Steen, Richard (merchant)
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Dates:
1888-1972
Size:
1.6 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.0206
Repository:
Archives Center, National Museum of American History

Enoch Steen was born in Norway in 1888. His family moved to the United States and settled in Minnesota in 1890. In 1913 he began working with Meyer & Company, a tailor-to-trade business in Chicago. This company had acquired the American Woolen Mills Company from Sears, Roebuck & Co. in 1900. Meyer & Company also sold clothes under the names of Paragon Tailoring Company and the Lincoln Trading Company. Steen's principal duties were sales and advertising.

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Dates:
1924-1989
bulk 1955-1983
Size:
12.3 Linear feet
Collection ID:
AAA.chrihans
Repository:
Archives of American Art

The papers of designer, silversmith, and educator Hans Christensen measure 12.3 linear feet and date from 1924 to 1989 with the bulk of the collection dating from 1955 to 1983. The collection includes biographical materials, correspondence, writings and notes, personal business records, teaching files for the Rochester Institute of Technology, printed and broadcast materials, artwork, photographic materials, and sound and video recordings.

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Creators:
Viola, Herman J.
Dates:
1970-1991
Size:
120 Negatives (circa, 35 mm)
31 color slides
300 Prints (circa, silver gelatin)
310 Negatives (circa, acetate)
Collection ID:
NAA.PhotoLot.74-17
Repository:
National Anthropological Archives

Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 A...

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