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Creators:
Herzberg, Julia P.
Dates:
1977-1918
bulk 1987-2011
Size:
7.6 Linear feet
Collection ID:
AAA.herzjuli
Repository:
Archives of American Art

The papers of curator and art historian Julia P. Herzberg measure 7.6 linear feet and date from 1977-2018. Included are Herzberg's files on exhibitions and artists containing correspondence, printed material, interview transcripts, and notes and drafts by Herzberg. Artists include Wilfredo Lam, Doris Salcedo, Ana Mendieta, and Jorge Tacla among others.

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Creators:
Conant, Howard Somers, 1921-2011
Dates:
1944-1987
Size:
3.2 Linear feet
Collection ID:
AAA.conahowa
Repository:
Archives of American Art

The papers of art educator and painter Howard Somers Conant measure 3.2 linear feet and date from 1944 to 1987. The papers document Conant's career as an art educator through correspondence with friends and colleagues; draft manuscripts, lectures, and other writings; newsletters, copies of published books, and other printed materials; and seventy-four sound recordings of interviews, lectures, and panel discussions that Conant took part in during the 1960s.

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Creators:
Oakley, Violet, 1874-1961
Dates:
1841-1981
Size:
56.4 Linear feet
Collection ID:
AAA.oaklviol
Repository:
Archives of American Art

The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.

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Creators:
Nickse, Hugo
Johnson, Hanford
Comstock, Cheney and Co.
Pratt, Read and Company
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Dates:
1839-1990
Size:
84 Cubic feet (104 boxes, 28 oversize folders)
Collection ID:
NMAH.AC.0320
Repository:
Archives Center, National Museum of American History

Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.

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Creators:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997
Dates:
1837-1984
bulk 1935-1979
Size:
4.9 Linear feet
Collection ID:
AAA.fleilawr
Repository:
Archives of American Art

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Addison N., 1883-1964
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Dates:
1888-1996
Size:
200 Cubic feet
Collection ID:
NMAH.AC.0618
Repository:
Archives Center, National Museum of American History

The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.

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Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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Creators:
Groell, Joseph W., 1928-
Dates:
1925-2007
bulk 1950-1991
Size:
2.2 Linear feet
Collection ID:
AAA.groejose
Repository:
Archives of American Art

The Joseph W. Groell papers, 1925-2007, bulk 1950-1991, measure 2.2 linear feet and primarily document his career as an art instructor. The papers include biographical material, letters, writings, subject files, printed material, artwork and photographs. Teaching files constitute the majority of the collection. Ten volumes of lecture notes, visual examples from sources including his own sketchbook, and student project instructions survive for courses Groell taught at Brooklyn College, 1970s-1990; and three volumes of notes and illustrations relate to figure drawing courses he taught at the New York Academy of Art, 1990-1991.

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Creators:
Mendoza, Nora Chapa
Dates:
circa 1963-2013
Size:
4.1 Linear feet
1.78 Gigabytes
Collection ID:
AAA.mendnora
Repository:
Archives of American Art

The papers of painter and educator Nora Chapa Mendoza measure 4.1 linear feet and 1.78 gigabytes, and date from circa 1963-2013. Biographical material includes résumés and awards, as well as other miscellaneous biographical material. Correspondence is mostly professional in nature and reflects her relationships with artists galleries and other professional organizations throughout her career, incl. Personal business records document select exhibitions and relationships with galleries such as the Partners Gallery, and include artwork inventories, consignments, and pricelists. Project files document specific projects including commissions and educational initiatives, as well as key conferences related to international labor relations and indigenous civil rights. Writings include artist statements, lectures and notes and sketches. Printed material documents the career of Nora Chapa Mendoza as well as and the art and Hispanic cultural scenes in Detroit in the form of announcements, clippings, catalogs, magazines and books. Photographic material documents various exhibitions, workshops, conferences, and trips.

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