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Creators:
Duveneck, Frank, 1848-1919
Dates:
1851-1972
bulk 1851-1919
Size:
1.2 Linear feet
Collection ID:
AAA.duvefran
Repository:
Archives of American Art

The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Hatch, John Davis
Dates:
1790-1995
Size:
24.9 Linear feet
Collection ID:
AAA.hatcjohn
Repository:
Archives of American Art

The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

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Creators:
Crossgrove, Roger, 1921-
Dates:
1888-2012
bulk 1950-2006
Size:
21.1 Linear feet
Collection ID:
AAA.crosroge
Repository:
Archives of American Art

The papers of Connecticut painter, educator, photographer, and watercolorist Roger Crossgrove measure 21.1 linear feet and date from 1888 to 2012 with the bulk of the collection dating from 1950 to 2006. The collection consists of biographical material, correspondence, writings and notes, professional files, teaching files, subject files, exhibition files, printed materials, personal business records, artwork, sketchbooks, and photographic materials.

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Creators:
National Conservation Advisory Council
Dates:
1973-1979
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 81-033
Repository:
Smithsonian Institution Archives

This accession consists of reports and correspondence in connection with the various study committees of the National Conservation Advisory Council (NCAC); and financial, chronologic, correspondence, and meeting files. These materials were created and maintained by David A. Shute, Executive Director of NCAC.

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Creators:
Carlen Galleries
Dates:
1775-1997
bulk 1940-1986
Size:
10.4 Linear feet
Collection ID:
AAA.carlgall
Repository:
Archives of American Art

The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions) and date from 1775 to 1997 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.

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Creators:
Hirsch, Stefan, 1899-1964
Rogo, Elsa, 1901-1996
Dates:
1851-1986
bulk 1920-1960
Size:
19.6 Linear feet
Collection ID:
AAA.hirsstef
Repository:
Archives of American Art

The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Their artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

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Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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Creators:
Blanch, Gertrude
Bloch, Richard M.
Bradburn, James
Brainerd, John G.
More …
Dates:
1969-1973, 1977
Size:
43.5 Cubic feet (158 boxes)
Collection ID:
NMAH.AC.0196
Repository:
Archives Center, National Museum of American History

The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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