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Creators:
National Collection of Fine Arts. Office of Exhibition and Design
Dates:
1964-1978
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Record Unit 448
Repository:
Smithsonian Institution Archives

These records consist of correspondence, photographs, and slides which document the design and installation of exhibitions at the National Collection of Fine Arts (NCFA) and the Renwick Gallery. Of special interest are records concerning the Patent Office Building (POB) Opening, 1968 and the exhibition America as Art, 1976. The records al...

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Creators:
National Museum of African Art. Office of the Director
Dates:
1979-2010
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 16-331
Repository:
Smithsonian Institution Archives

This accession consists of correspondence created or maintained by Johnnetta B. Cole, Director 2009- . The records consist of correspondence with museums, educational institutions, professional societies, corporations, foundations, and individuals in the field of African art and related studies. Materials also include clippings, brochures, ...

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Creators:
Duveneck, Frank, 1848-1919
Dates:
1851-1972
bulk 1851-1919
Size:
1.2 Linear feet
Collection ID:
AAA.duvefran
Repository:
Archives of American Art

The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

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Creators:
Lukens, Glen
Dates:
1920-1983
Size:
1.6 Linear feet
Collection ID:
AAA.lukeglen
Repository:
Archives of American Art

The papers of ceramicist Glen Lukens measure 1.6 linear feet and date from 1920 to 1983. The bulk of the papers consist of letters from Lukens to family members, and other correspondence with family, friends, and colleagues. Notably, letters describe Lukens' time working in Haiti to establish a ceramic industry, his views on United States involvement in World War II, and the Watts Riots in Los Angeles in 1965. Also found are biographical materials, scattered writings and notes on ceramics and other subjects, printed materials, and photographs.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Hedges, Jimmy, 1942-2014
Dates:
1969-2016, bulk 1991-2013
Size:
23.5 Linear feet
15.63 Gigabytes
Collection ID:
AAA.hedgjimm
Repository:
Archives of American Art

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

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Creators:
Zilczer, Judith
Dates:
circa 1972-2012
Size:
7.52 cu. ft. (6 record storage boxes) (3 5x8 boxes) (1 tube)
Collection ID:
Accession 14-152
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the research and correspondence of Judith Zilczer. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. The majority of the research materials pertain to John Quinn, Walter Pach, Ra...

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Creators:
National Museum of African Art. Office of the Director
Dates:
1963-2009
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 10-096
Repository:
Smithsonian Institution Archives

This accession includes the correspondence of Warren M. Robbins, Director, 1979-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. The records consist of correspondence with museums, educational institutions, professional societies, corporations, foundations, an...

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Creators:
National Museum of American Art. Office of Exhibition and Design
Dates:
1947-1983
Size:
4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
Collection ID:
Record Unit 452
Repository:
Smithsonian Institution Archives

This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection....

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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