Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.

Letters; sketches (mostly photocopies) of medals; photographs; an interview on DVD, and medals concerning Wacks' involvement in the work of medalist Gerta Ries Wiener for the Jewish-American Hall of Fame, a project and institution created by the Judah L. Magnes Museum in Berkeley, Calif.

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

32 U-Matic videorecordings of unedited interviews, varying in length from fifteen minutes to three hours, of artists, craftspersons, administrators, and historians, associated with New Deal art in California. One videotape, which features Dr. Francis V. O'Connor, is an introduction to the project. The interviews were conducted and recorded in subje...

This accession consists of records that document exhibitions shown at the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, checklists, prospectuses, funding proposals, lists, newspaper clippings, grants, brochures, photographs, and press releases.

This accession consists of two websites maintained by the National Museum of the American Indian (NMAI) as they existed in May and June 2011. The main NMAI website, crawled May 4, 2011, includes visitor and programmatic information; exhibition information and online exhibitions; press releases; resources for museum professionals; collection i...

Correspondence, photographs, exhibition catalogs, and printed materials.

An interview of Robert Carlen conducted 1985 June 28-July 16, by Catherine Stover, for the Archives of American Art.

The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.